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『归还者的魔法要特别』TV动画化决定、深夜视频2023年放送！
深夜在线主播视频
『归还者的魔法要特别』TV动画化决定、深夜视频2023年放送！
治疗乐队
回复 :平凡的大学生·野本裕也，与神秘少女·瞳相遇了。在没有人烟的废弃场，野本目击到了她变成野兽的模样，与狮子怪物展开死战的一幕。他们的真实身份，是同时拥有人类的头脑与野兽的獠牙的“兽斗士（Brute）”。并且，瞳是隐藏着最强斗争本能的兽斗士“蜜獾（Ratel）”。兽斗士们被自古以来支配日本经济的四大财阀三门、八菱、角供、石田所雇佣，并作为其代理人展开决斗，争夺霸权。之后，野本通过再次与瞳相遇，被卷入了这些兽斗士们的炽烈战斗“牙斗（Killing Bites）”当中——。
周彦宏
回复 :故事发生在一座名为欧拉丽的繁华都市之中，这座城市的地下有着极其庞大复杂的迷宫，人们称之为“地下城”。某日，少年贝尔（松冈祯丞 配音）遇见了名为赫斯缇雅（水濑祈 配音）的少女，一直想要成为冒险者的少年同一直在寻找眷属的少女，两人一拍即合，结伴展开了精彩绝伦的冒险。贝尔一直相信，在地下城中，他将会邂逅自己命中注定的女主角，于是，这一天，在生死存亡之际，一位名叫艾斯（大西沙织 配音）的冒险者出现在了他的面前，着戏剧性的一刻让贝尔立刻就坠入了爱河。除了贝尔等人，同样活跃在冒险前线的还有拥有超高智商的少女莉莉露卡（内田真礼 配音）、铁匠韦尔夫（细谷佳正 配音）和剑客大和命（赤崎千夏 配音）等人。
郑伦境
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
