李吉汉
发表于2分钟前
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:The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
张露
发表于6分钟前
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:光绪二十年,西太后(卢燕)六十岁,虽然已「还政」于光绪帝(狄龙),但实际上依然大权在握。又派小太监寇连材(姜大卫),以侍候光绪为名,实作监视。光绪很想有一番作为,但因优柔寡断,致无法摆脱西太后的操纵;幸有珍妃(萧瑶)安慰,但又遭皇后(凌波)等陷害……第12届金马奖优等剧情片、最佳女主角(卢燕)、最佳彩色影片美术设计(陈景森)《倾国倾城》(the empress dowager,香港,1975),邵氏兄弟公司荣誉伟构,李翰祥历史宫帏片权威代表作,邵氏旗下大牌明星云集一堂,是一部描绘慈禧垂帘听政三十年后清宫权利斗争的历史巨铸。著名美籍演员卢燕饰演慈嬉太后,破格起用动作明星狄龙饰演窝囊的光绪皇帝,姜大卫饰演的小太监寇连材本是给狄龙配戏的,锋头却直盖主角。影片荣获第十二届金马奖(1975年)- 优等剧情片,最佳女主角(卢燕),最佳彩色影片美术设计(陈景森)。