民国时期，铁鹰各路军阀并起，铁鹰当然这些军阀中也不乏笑果连连、丑态百出的大老粗。比如这位张大帅，颟顸乖张，尤其喜好女色。他外出途中看见一群女学生打篮球，慨叹学校的小气，发给每人一个篮球，还把学生们的裙子全部剪短。又或者汽车抛锚，善于逢迎的刁副官（王菲 饰）竟找来一辆灵车应付，反逗得大帅喜笑颜开。张大帅府上虽有五位太太，却仍不知足，依旧四下搜寻美女。不从者便被关押，闹出不少人间悲剧。上梁不正下梁歪，喜好偷腥的大帅难免估计后院，引得刁副官和五姨太眉来眼去，暗通款曲。闹出笑话无数，笑坏世间百姓……
孟子焱
回复 :A hook-up between two young men - they make a connection, but it quickly becomes apparent they're looking for different things.
赵晨
回复 :『横溝正史傑作ｻｽﾍﾟﾝｽ･犬神家の一族』は､ﾃﾚﾋﾞ朝日系列で1990年3月27日の火曜日19時2分 - 21時48分に放送された｡
津亭
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
