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免费曾以获得格斗冠军哥哥为傲。曾以为有哥哥保护自己可以永远像少年一样无忧无虑。哥哥最终在冲刺世界格斗冠军擂台上身受重伤意外身亡。弟弟少男誓要复仇赢回哥哥遗愿向世界证明黄种人可以屹立于世界。
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免费曾以获得格斗冠军哥哥为傲。曾以为有哥哥保护自己可以永远像少年一样无忧无虑。哥哥最终在冲刺世界格斗冠军擂台上身受重伤意外身亡。弟弟少男誓要复仇赢回哥哥遗愿向世界证明黄种人可以屹立于世界。
陈启泰
回复 :飞行员迪克斯（约翰•特拉沃塔 John Travolta 饰）和希尔上教（克里斯汀•史莱特 Christian Slater 饰）搭档多年，虽然表现出色，但一直没有获得晋升。心中不服气的迪克斯决定用自己的手段向政府讨回他应得的一切。于是，在一次飞行任务中，迪克斯为了劫持隐形飞机上的两枚核弹，将希尔打出了机舱，幸亏希尔携带有降落伞，才幸免于难。迪克斯取得核弹后，向政府要挟巨额赎金，不然就将在城市中引爆核弹。另一方面，希尔和美丽女警泰丽（萨曼莎•玛西丝 Samantha Mathis 饰）正在极力追寻迪克斯，抢回核弹！
高进
回复 :东汉末期，一方诸侯刘皇叔被曹魏之军打败并率领百姓逃亡，而刘之家室逃得并不顺利，他便命手下的大将赵云——常山赵子龙单枪匹马闯入曹军救出两位夫人以及刘阿斗，却遭到赵云的同门师兄张绣竭力阻止，赵云必须想尽办法冲破张绣的围攻。
爱伦奈维尔
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
