据悉，老王克里斯蒂安·贝尔将与奥斯卡·伊萨克共同加盟主演导演特瑞·乔治（《卢旺达饭店》）的新作《The Promise》。影片为爱情电影，老王剧本则由《艺伎回忆录》编剧罗宾·史威考德执笔。故事的时代背景为奥斯曼土耳其帝国的末年（1922年），而贝尔饰演的驻巴黎美国记者克里斯、伊萨克饰演的医学院学生迈克尔以及女主角安娜将上演一段缠绵悱恻的乱世三角恋。贝尔与伊萨克所饰演的角色分别代表着新世界的规则与旧世界的传统，两位演员以及他们所承载的文化符号的碰撞必将是影片的一大看点。影片将于今年秋天在欧洲南部开拍，取景地包括葡萄牙与西班牙的加纳利群岛。
马兆骏
回复 :After settling down together and only being separated in death during the Ayutthaya era (1351-1767 CE), Dej and Karaket are reborn in the early Rattanakosin period (1782-1855 CE). But there is only one of them who still believes in ‘destiny’. Bhop, a chief engineer with the sweetest smile in Siam, has been seeing the same lady in his dreams for many years. He believes wholeheartedly that she is his destined soulmate. When Bhop meets Gaysorn who looks exactly like the girl in his dreams, Bhop follows her around, trying to win her heart. However, Gaysorn has a progressive attitude and does not believe in destiny. Gaysorn clearly expresses that she dislikes Bhop, but she is interested in Mathus, a Thai-Western man who uses strange slang when speaking, which happens to match the messages in an old journal of Lady Karaket. Did Mathus travel back in time from the future like Lady Karaket?! Their relationships have not been figured out, yet when Bhop, Gaysorn, and Mathus get caught up in a chaotic historical event, things get out of hand and could lead to a war that will change history forever. Where will destiny lead them?
杰珂
回复 :丧父的12岁小女孩明月，在暑假里由于怀疑和嫉妒，将妈妈的情人推入水中疑似死亡后，迎来了人生的初潮。但是这一切，在她云淡风轻的应试化暑假日记作业，灿烂童年式的描述中结束了。影片表达的是一个小女孩成长的孤独和羞耻，同时也刻画了人在面对体制时的自我分裂和粉饰太平。《明月的暑期日记》有一种独特的诗意。 大量隐喻符号和主观化音响效果的使用，为电影语言留出了极大的阐释空间。影片用最丰富和敏感的触觉，为观众呈现了一段孤独而羞耻的成长岁月。明月直视镜头的同时也撕裂了伪善的谎言：我们忽视他人的痛苦并不是不知情，而是人性中根深蒂固的冷漠早就决定了，真相对谁而言都是沉重的负担。
陈文浩
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