一个大学生住进了纽约市一所破旧的公寓中,咬痕他在地下室偶然发现了一箱陈酿多年的葡萄酒,咬痕当他带回去饮用时,才发现自己上当了:那是一些奇怪的绿色粘液生物,凡是喝下去的人都会变为慢慢腐烂的畸形怪物,他必须趁自己还没有完全烂完之前找到复原的方法,而这个方法就是不断的去杀人……(此片和那个垃圾街非常相似,喜欢那种黏糊糊效果的朋友千万别错过此片~~)
一个大学生住进了纽约市一所破旧的公寓中,咬痕他在地下室偶然发现了一箱陈酿多年的葡萄酒,咬痕当他带回去饮用时,才发现自己上当了:那是一些奇怪的绿色粘液生物,凡是喝下去的人都会变为慢慢腐烂的畸形怪物,他必须趁自己还没有完全烂完之前找到复原的方法,而这个方法就是不断的去杀人……(此片和那个垃圾街非常相似,喜欢那种黏糊糊效果的朋友千万别错过此片~~)
回复 :Brett Halsey,Meg Register和Lino Salemme主演,卢西奥·弗尔兹导演的恐怖片,在西西里岛考古的几名队员意外地惊醒了500年前被谋杀的修女恶灵...作为导演粉丝,我不得不赞叹卢西奥的想象力,情节虽俗套但杀人手法真是惊人,“家猫挖眼杀”“两树分尸”“幻影裸杀”...
回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
回复 :杰森(亚历克斯·撒克逊 Alex Saxon 饰)在父亲管理的学校费城丹宁顿预备学院里就读,某日,学校里组织学生们前往美国造币厂参观,哪知道在参观的过程中,一群警察冲了进来,带走了杰森的父亲,他的罪名是贪污公款一千万美元。杰森父亲的失职导致学校的资金链断裂,随时面临着倒闭的命运,杰森也因此遭到了同学们的百般诟病和刁难。爱丽丝(亚利希斯·扎尔 Alexis G. Zall 饰)是技术高超的黑客,在参观造币厂的过程中,聪敏的她发现这家工厂的安保系统非常的薄弱,为了挽救学校,爱丽丝找到了杰森,希望他能够和自己合作,洗劫造币厂,当然,这个行动还需要其他的帮手,于是,妲科塔(萨莎·皮特丝 Sasha Pieterse 饰)和班尼(杰·沃克 Jay Walker 饰)也入伙了。