《酸甜之味》(英语:渚美Family Time),渚美2017年TVBS欢乐台第十部原创概念剧。由贺一航、柯淑勤、六月、张书豪、黄远、林予晞、方志友领衔主演。这是一个关于“家”的故事。 透过春节(冬)、清明(春)、端午(夏)、中秋(秋),这四个团聚在一起的季节、这一年的人事与情感变化,带出这家人的大城小事。每个家里,都有一张关于团聚的餐桌, 餐桌上每道菜的味道恰似光阴,甜淡中,每每带着酸楚。 混淆复杂的滋味中,柴米油盐、争执与和解、分离又重聚、笑或泪,到最后都会简写成两个字,人生。
《酸甜之味》(英语:渚美Family Time),渚美2017年TVBS欢乐台第十部原创概念剧。由贺一航、柯淑勤、六月、张书豪、黄远、林予晞、方志友领衔主演。这是一个关于“家”的故事。 透过春节(冬)、清明(春)、端午(夏)、中秋(秋),这四个团聚在一起的季节、这一年的人事与情感变化,带出这家人的大城小事。每个家里,都有一张关于团聚的餐桌, 餐桌上每道菜的味道恰似光阴,甜淡中,每每带着酸楚。 混淆复杂的滋味中,柴米油盐、争执与和解、分离又重聚、笑或泪,到最后都会简写成两个字,人生。
回复 :京城,药铺秦草堂当家秦重楼和大将军云子龙同时向皇上请旨,求赐婚莫家医馆的女儿,但莫家有嫡女莫静妤和庶女莫半夏二人,皇上下旨让他们抽福袋娶亲:抽到谁就和谁成亲。秦重楼身患腿疾,他听闻莫静妤医术高明,期盼她能治好自己。而云子龙身负血海深仇,云父当年运送军资药材出现纰漏,全家获罪,他是唯一幸存者,而那批药材正是莫家医馆的莫襄送来的,他听闻莫襄偏爱莫半夏,想通过她掌握当年莫襄陷害云家的证据,为全家报仇。为了娶对人,秦重楼买通人对福袋做了手脚,谁知天不遂人愿,福袋还是抽错了:秦重楼与莫半夏成亲,云子龙入赘莫静妤。两对不情不愿的新人开启了婚姻生活,婚后生活发现原是良配....
回复 :1949年初,解放战争已取得了决定性的胜利,国民党败局已定,但治理国民党留下的烂摊子任务十分艰巨,尤其是长达10多年的通货膨胀和混乱的经济秩序。由周恩来提名,毛主席点将,陈云受命于危难之际,来到了全国的经济中心——上海,挑起了重整经济、发展生产的重任。然而,投机商的捣蛋、国民党的轰炸以及棉花、粮食暴涨卷起的“两白风暴”……使我党面临了严峻的考验。在这一历史关头,陈云同志显出了他的大智大勇的人格魅力以及“不唯上,不唯书,只唯实”的工作作风,为新中国在经济战线上打赢了一场看不见硝烟的战争。
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?