剧情简介
佛羅倫絲和雲遜是一對模範夫妻。他們有成功的事業，终极美滿的婚姻和可愛孩子。現在，终极他們想成功地離婚。然而，當他們同時得到他們一輩子夢寐以求工作時，這對夫婦的生活頓時變成了惡夢。由這一刻起，他們再不會退讓一分。這對從前的模範配偶向對方宣戰，千方百計要避免取得孩子的撫養權。
终极一班
佛羅倫絲和雲遜是一對模範夫妻。他們有成功的事業，终极美滿的婚姻和可愛孩子。現在，终极他們想成功地離婚。然而，當他們同時得到他們一輩子夢寐以求工作時，這對夫婦的生活頓時變成了惡夢。由這一刻起，他們再不會退讓一分。這對從前的模範配偶向對方宣戰，千方百計要避免取得孩子的撫養權。
大懒堂
回复 :约亨沃尔特是德国银行的一名资深投资银行家，与其助手汤姆·斯莱扎克刚刚完成一笔大单。庆功会上约亨却突然跳楼自杀。全球范围内有多起银行家自杀的案例的情况下，外界纷纷猜测约亨的自杀原因，甚至有人怀疑是他杀。约亨的妻子对银行推卸责任的说法很不满，称约亨自杀前留下一封遗书，其中有涉及约亨真实死亡原因的银行保单。汤姆对其突然死亡也表示怀疑，天台拍摄到跳楼过程的摄像头也被移走。到底是自杀还是谋杀。
高以爱
回复 :阿莉西亚没有记忆，也不知道她是如何失去记忆的。在两年内，她成功地建立了一个新的，独立的自我，远离家乡。她不想回忆过去。因此，当她的家人找到她时，她被迫扮演母亲、女儿和妻子的角色，周围似乎完全是陌生人。一旦你忘记了你爱的人，你还剩下什么？为了感受幸福，有必要记住爱的情感吗？
罗允权
回复 :Julien Duvivier最好的作品之一也是他认为自己所有默片中最喜欢的一部。SummaryBullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...ReviewDrawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte.The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.
