富商宋金荣与保险巨头吴家结怨，春暖为了报复吴家，春暖他特意将自己收藏的旷世奇珍——可兰经公开展览，并向吴家买了巨额保险。宋金荣找到了神偷卓非凡（泰迪罗宾 饰），要求他盗取可兰经，以此迫使吴家破产。卓非凡觉得偷取可兰经十分好玩，就答应了宋金荣；另一方面，吴老板的义子陈查理（刘德华 饰）身手不凡，为了万无一失，他亲自负责可兰经的保安工作。同时，神枪手马如龙亦想将可兰经弄来送给女友，以讨女友欢心。一场争夺可兰经的游戏开始了。
小河
回复 :故事从主人公直己的视角出发，他是一个沉默寡言的大学辍学生，在父亲的废品回收公司打工。某天直己在游泳池认识了男孩槙，晚上回家时他让槙和槙的盲眼奶奶搭了顺风车。奶奶在车上讲起年轻时环球旅行的经历，包括打卡《春光乍泄》里的伊瓜苏瀑布。然而等重病住院后，她才向男孩们坦白自己从未离开过日本——所有故事都是她编的。她把存折送给孙子，希望槙替她去看这个世界，只是奶奶并不知道自己已经没多少钱了。不忍向奶奶道明真相的槙认为别无选择，他只能收录合成各种音效，模仿在世界各地的游历，做成磁带后拜托直己放给奶奶听。直己义无反顾当起了槙的助手，两人结伴收集瀑布、大海、森林的声音，在荒郊野外露宿或在车库光着脚打闹，玩着只有彼此才懂的摔跤游戏，释放内心的隐秘情绪。经过看似无忧无虑的一段时光，直己提出了要求：我们能真的环球旅行一次吗？比如，去看伊瓜苏瀑布？
天堂
回复 :富豪二代叶继文为人尖酸刻薄，与同为富二代的何柱坚组成太子帮，兴趣广泛，有投资电影，在父亲去世后，获得巨额遗产，但没有遵从父亲遗嘱造福古镇，反而在好友何柱坚建议下将古镇大片土地兴建房地产，搞得古镇人民怨声载道，接而遭到何柱坚陷害藏毒被警察追捕，逃至古镇后山山洞穿越了时空，回到历史上动荡而又英雄辈出的清末及民国时代，结识了陈华信、黄非红、霍元夹、李小聋、陈珍等英雄好汉后改邪归正，回到现代后发现自己好友何柱坚持竟然是陷自己于不义的小人，为了挽救古村和夺回家产，决意与何柱坚决一死战。
黄妃
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
