剧情简介
20个十岁不到的小朋友在一个暑假参加了一档电视台的真人秀拍摄，司美原本剧组安排他们的拍摄计划被鬼使神差的掉了包。20个孩子来到了的一座陌生的岛屿，司美原本孩子们为本次旅行所做的所有准备全部成了无用功。他们只能凭借自己的能力在孤独恐慌地在荒岛上展开“求助”。
司美琴视频封面
20个十岁不到的小朋友在一个暑假参加了一档电视台的真人秀拍摄，司美原本剧组安排他们的拍摄计划被鬼使神差的掉了包。20个孩子来到了的一座陌生的岛屿，司美原本孩子们为本次旅行所做的所有准备全部成了无用功。他们只能凭借自己的能力在孤独恐慌地在荒岛上展开“求助”。
杨小萍
回复 :本片由由威尼斯电影节发起，并由联合国儿童基金会选定七位导演各自拍摄七部以儿童为主题的短片，旨在唤醒世人对儿童的关注和爱护。《坦扎》梅迪·夏夫（Mehdi Charef）非洲男孩坦扎的国家正陷入内战，他手执冰冷冷的枪战战兢兢度过每一天，他多么希望能回到安静的家乡和充满 阳光的课堂……《蓝色吉卜赛》埃米尔·库斯图里卡（Emir Kusturica）吉普赛男孩乌洛斯（Uros Milovanovic 饰）即将走出少管所，但是大墙外的自由世界却看不到幸福的希望……《上帝保佑的美国孩子》斯派克·李（Spike Lee）小女孩从父母那里感染了艾滋病，幼小的她该如何面对这一切？《毕露和乔》卡迪亚·兰德（Kátia Lund）毕露和乔是住在巴西贫民窟的两个好朋友，为了一双新球鞋，为了给家中多添一片瓦，他们拾废品换钱，永远保持乐观的精神……《乔纳森》雷德利·斯科特（Ridley Scott） 乔丹·斯科特（Jordan Scott）战地记者经历无数人间惨剧，回到欧洲后他备受折磨，恍惚间他回到了自己的童年……《Ciro》斯蒂芬诺·维奈鲁索（Stefano Veneruso）意大利那不勒斯，男孩光天化日之下偷盗抢劫，只为了……《欢欢和小猫》吴宇森欢欢是个家庭富裕娇生惯养的小女孩，小猫则是被人抛弃然后由捡破烂的爷爷好心抚养长大的可怜孩子。一场灾祸，一个洋娃娃，将两个孩子的生活连在一起……
金世晃
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
手岛葵
回复 :电影讲述了一个名为奥托的老大爷在爱妻去世后脾气逐渐暴躁，每天对社区里不遵守他规则的邻居进行批判，固执己见的他被人称为“地狱来的恶邻”。然而，随着一个活泼的年轻家庭搬入隔壁，他的生活开始发生翻天覆地的变化。当奥托重拾内心的温暖和善意，生活又会给他什么惊喜呢？该片根据瑞典小说之王弗雷德里克·巴克曼高分畅销小说《一个叫欧维的男人》改编。
