1935年，亚洲区中央红军在王明左倾机会主义的指导下遭到国民党第五次反围剿，亚洲区他们提倡顽强防守，与敌人硬碰硬拼消耗，从而蒙受了沉重的打击和消耗。某师十八团团长陈战江（李成彬 饰）伤愈重返前线，他星野追赶部队，总算和共同经历了生死考验的政委方亮（王志刚 饰）会面。此时北线局势早已发生变化，临时中央全权特派员进驻十八团，提升政治干事薛民担任团长兼政委。薛民言过其实，好大喜功，完全不顾自身的实力与敌人硬碰硬，却如何能够抵抗住飞机大炮的轰炸。第五次反围剿失败，中央红军不得已踏上长征之路。陈战江掩埋白白死去的战士的尸体，顶住来自中央的压力，坚决执行毛泽东的战斗路线，和敌人做着最后的斗争……
韩晶
回复 :麦克（余文乐 饰）是全港破案率最高的警察，这是因为他有钱，更确切地说，是他爸爸有钱。用金钱作诱饵、用金钱收买线人，这让他的破案纪录屡屡上升的同时也收获了同事给他的称号：花花型警。没有人相信他能不用金钱破案。一次破案时麦克再次给警队带来大麻烦——从空中洒下金钱导致交通瘫痪——于是被停职。而从大陆过来调查哥哥死因的同样家财万贯的林亨（陈坤 饰）正好认识麦克，相识当天，二人穿着同样的西装，打着同样的领带，冥冥中的缘分，更巧合的是，麦克的前女友lisa（钟嘉欣 饰）对林亨形影不离。一个要查出真凶，一个要证明自己的能力。林亨与麦克结伴而行，从获得线索开始，他们渐渐发现，自己被凶手带入了一个陷阱，险象环生中二人建立了非同一般的友情，然而结局并非我们所想的美好。
潘恩蓓
回复 :故事发生在智利首都圣地亚哥。葛洛莉亚（宝琳娜·加西亚 Paulina Garcia 饰），58岁，总是戴着一副大框近视镜，离婚10年。然而这些单调而沉闷的标签并没有阻止她对幸福生活的向往和追求。葛洛莉亚热衷于参加各种单身聚会来寻求短暂的满足感，即使每每派对结束，葛洛莉亚仍要独自一人承受更大的寂寞与空虚。直到葛洛莉亚偶然间在一次派对上结识了温文尔雅的退役海军军官鲁道夫（塞吉奥·赫尔南德兹 Sergio Hernández 饰），久违的爱欲之火在浪漫的邂逅中熊熊燃烧。二人参加迷彩射击游戏、玩蹦极当然还有甜蜜的肌肤相亲。鲁道夫一瞬间唤醒了葛洛莉亚的所有激情与欲望，她开始憧憬和鲁道夫的未来，甚至与之携手终生。然而在与鲁道夫的亲密相处中，葛洛莉亚的担忧却日益加深。终于，在一次生日宴会上，鲁道夫再次不告而别。此时的葛洛莉亚下定决心告别这段关系。女主角宝琳娜·加西亚凭借此片荣获2013年第63届柏林国际电影节银熊奖-最佳女演员。
陈鹭虹
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
