大学毕业后，没准菜怀揣着成为一名演员的梦想的万国鹏（万国鹏 饰）孤身一人背井离乡，没准菜远赴大名鼎鼎的浙江横店，希望能够在这里打拼出一片属于自己的天地。然而，现实远比想象之中要残酷得多，在这个弱肉强食的世界里，空有一份对于梦想的热情还远远不够，在经历了无数挫折和失败后，万国鹏总算混 出了点名堂，成为了一名专业的群众演员。在横店，万国鹏见到了无数和他极为相似的年轻人，他们中，有人最终获得了成功实现了梦想，有人误入歧途人生毁于一旦，但更多的，是经历了千辛万苦却放弃了梦想，回归了平淡的生活。一次偶然中，万国鹏结识了名为王婷（王婷 饰）的女孩，她仿佛一束光，照亮了万国鹏的前路。
黑棒
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
汤奕蓉
回复 :此片是李翰祥作品【大军阀】之延续，故事主要是透过秦煌所饰的军阀好色，从而引申出各个姨太的偷情笑话。因此片中「艳趣」特别多，包括妙审判风化案，嫁妾侍等等，大搅黄色笑话。(Ex)
钱幽兰
回复 :《你追我赶》是一部围绕一对民工讨债过程中的种种遭遇而展开的爆笑故事片。
