《尸还魂》血性男子阿良发现女友桂儿和另一个男人波苏搞在一起，阿满愤怒的阿良驾驶机车追赶，阿满结果不慎车祸身亡。葬礼的第三天，平日的狐朋狗友悉数到场，连桂儿和波苏也到场上香，而灵异事件也突然发生。在此之后，众人寻找阿良丢失的手机，阿良的鬼影却接连出现；《献阴琴》某女子教会学校，传说曾有一个为情而死的修女，她死后变成无头女鬼，在夜晚弹着动听的钢琴。而如果虔诚地向他许愿，很快就会梦想成真。但是这也伴随着可怕的危险。充满嫉妒和爱欲的女孩，为情涉入险地；《祭纸扎》纸扎店老板的老婆珠珠外遇归来，对老公大献殷勤。常被欺负的小伙计阿默刚好从网上发现一则车祸消息，而这个消息让他大为震惊！恐怖不眠夜，阴雨连绵。
丁文俊
回复 :After the death of their adoptive mother, a shy butcher and his drama queen twin sister leave the UK and adventure to Australia in search of their biological mother, but the local townsfolk of Two Heads Creek are hiding a dark secret: the pair must reconcile their differences to fight for their lives in this playfully dark comedy-horror.
阿本
回复 :性情古怪的前电影放映员郝飞羽（贾宏声）用望远镜锁定一名女性后，会把她哄骗到放映间，但他并不强奸或抢劫，只拿出私养的银环蛇。多名女性死于银环蛇之口，公安局成立以侦察员文英华（张京生）、老周（韩廷琦）为首的“银蛇谋杀案”侦破小组。某日郝飞羽又用望远镜寻找猎物时，无意间发现照相师孔翔雄（朱晓鸣）正在偷拍银行，随后他悄悄潜入孔的照相馆偷得几张照片，暗中盘算起，几日后银行果然被盗，而他也从照片中发现，与银行经理石衡山（臧金生）打得火热的乔美奂（高宝宝），其实是该起盗窃主谋钟大忠（王建成）的女友，决定敲诈。郝飞羽悄悄将一盘录音带转给乔美奂，威逼其将一笔巨款送到体育馆，惊动钟大忠。钟大忠以为敲诈者是石衡山，便派打手追杀。躲在暗处与之周旋的郝飞羽趁机带走乔美奂，不久公安人员发现乔的尸体。“盗窃案”与“银蛇案”搅在一起。
铃木茂
回复 :The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.
