保持距离
地区:西班牙
  类型:热血
  时间:2025-01-18 04:09:43
剧情简介

保罗·希尔顿([永恒美人])、保持埃里克斯·劳瑟、保持萝玛拉·嘉瑞将主演新片[蠼螋]。该片由露西尔·哈兹哈利洛维奇([进化岛])执导,露西尔与吉尔夫·考克斯([太空生活])共同操刀剧本。该片根据Brian Catling的同名小说改编,讲述在20世纪30年代的欧洲某地,孤僻的Albert Scellinc受雇照顾10岁的Mia。他最重要的任务是照料她的冰假牙,这些假牙需要每天都要换好几次。他们单独住在一间大公寓里:百叶窗总是拉着,Mia从不离开,每天都是一成不变。每周,电话铃声会响起,一个男声会询问Albert女孩的健康状况,Albert每周都会用同样的答案来回答,直到有一天,那个声音告诉Albert,他必须坐着火车把女孩带到巴黎去。Albert伤心欲绝,他感觉他的世界在他身边慢慢解体了。该片已在比利时开拍。

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薛凯琪

发表于5分钟前

回复 :斯坦利·多南导演作品。本片重拍自法国片《一个狂野的时刻》。中年男性很容易被年轻女孩的青春胴体吸引,做出很多失去理智的行为,本片即是以此为主题拍成的爱情喜剧,由老牌导演斯坦利.多南执导。迈克尔.凯恩饰演中年商人,在前往里约热内卢度假时,跟好友的未成年女儿米雪儿强森发生了一段情。影片将男主角的性幻想表现得相当生动有趣,女主角的妖艳性感也令人心动。尚未成名的黛咪.摩尔亦在上空海滩的场景参加演出。全片风格有点像令人低声窃笑的电视处境喜剧,品味不是很高,但具有娱乐性。


颜爵

发表于7分钟前

回复 :As a child, Luther Watts was deeply affected by seeing a circus geek (someone who bites the heads off live chickens in a circus sideshow). Finally paroled after serving 20 years in prison, he terrorizes the residents of his hometown by making chicken noises, crowing like a rooster and attacking people. He winds up at a farm run by a woman and her daughter, where he takes them captive and then starts killing off her neighbors. The mother realizes she and her daughter must escape before he kills them, too.


辛子奇

发表于2分钟前

回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.


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