剧情简介
袁浩云（周润发 饰）是警署侦探，草莓为人正直但行事火爆。他的好友在一次捕匪行动中不幸遇难，草莓令他更加急于报仇。袁正侦探一桩非法军火集团的重案，但为了案件侦破顺利，袁的上司决定让他不再负责此案。此时，袁的女友也离他而去，并对他的敌人产生了感情。这个敌人，正是军火集团里面的头号马仔江浪（梁朝伟 饰）。江郎行事拼命，千方百计博得集团头目信任。袁在追捕中与江相遇，眼看大难临头却发现江放他一马，原来另有内情。
草莓视频12
袁浩云（周润发 饰）是警署侦探，草莓为人正直但行事火爆。他的好友在一次捕匪行动中不幸遇难，草莓令他更加急于报仇。袁正侦探一桩非法军火集团的重案，但为了案件侦破顺利，袁的上司决定让他不再负责此案。此时，袁的女友也离他而去，并对他的敌人产生了感情。这个敌人，正是军火集团里面的头号马仔江浪（梁朝伟 饰）。江郎行事拼命，千方百计博得集团头目信任。袁在追捕中与江相遇，眼看大难临头却发现江放他一马，原来另有内情。
蔡丽津
回复 :影片改编自真人真事。讲述了1960年代美国黑人社团黑豹党历史上的真实事件，故事聚焦于Hampton之死，他于1969年被杀，死于芝加哥警察局和FBI组织的一次突袭行动。警方开了80枪，而“黑豹党”成员一共只开了一枪，这一枪还是来自于一位成员被警方打死后的肌肉收缩。Hampton与怀孕的未婚妻正在睡觉时，头部被近距离射杀2枪，他当晚被下了药，根本没听见任何警方的动静，死后尸体被拖进小巷中，年仅21岁。经过审讯，他的死被判定为“正当杀人”，后来在1982年，以185万美元的赔偿数额，达到了民事诉讼的庭外和解。
艾晴晴
回复 :写小说的金孝燮从未真真正正出版过一本象样的书，一次与人争吵后被判入狱，深感自卑的他不断被外界批评为三流作家，生活也很窘迫。可是他却爱上一个已婚女人。而另一个未婚女子深深地爱着这个小说家。未婚女子对作家的爱是毫无条件的，她以前是出版社的编辑，后来在电影院售票，并 同时打几份工。他与作家约会时付咖啡钱，心甘情愿地借钱给作家，为他修改书稿。在作家三十五岁生日时，她带着蛋糕和礼物来到作家的住处想给他一个惊喜，作家却责怪未婚女子来之前不给他打电话。这时，已婚女人从作家的屋里冲出，作家急忙追赶，未婚女子告诉作家，她已做好为他奉献一生的准备，作家明确地告诉未婚女子，他深切地爱着这个已婚的女人。在街上，他对未婚女子大打出手，发泄着的自己的情绪，躲在一旁的未婚女子的男同事把这一幕尽收眼底，对未婚女子表达了爱意，失落的未婚女子与这个男同事发生了关系。
韩磊
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
