讲述了小屋(李砚饰)本是“天书”中一页幻化出的翩翩少年,片美与宋真宗妃子颜如玉(张南饰)相爱,片美被发现后小屋遭到斩杀。转世后的他为解开千年身世谜团而经历了一段奇妙的探险旅途,后与颜如玉再续前世姻缘的故事。
讲述了小屋(李砚饰)本是“天书”中一页幻化出的翩翩少年,片美与宋真宗妃子颜如玉(张南饰)相爱,片美被发现后小屋遭到斩杀。转世后的他为解开千年身世谜团而经历了一段奇妙的探险旅途,后与颜如玉再续前世姻缘的故事。
回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
回复 :每个月都有成百上千名失业护士乘坐通宵巴士,从意大利南部前往北部寻找工作,每次巴士旅途的组织者正是其中的两人。这是一次漫长的希望之旅,但往往一无所获。作为一部公路纪录片,这两位电影制作人描绘了现代意大利在健康危机之前、期间和之后的无情写照。
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