文森（伊马诺尔·佩尔塞 Ymanol Perset 饰）表面看来只是一介平凡青年，欧美却拥有着一身了得的射击本领，欧美年仅二十五岁的他作为官方认可的枪械教官，深受业内同行的尊重和赞赏，前途可谓一片光明。某日，一位名叫米罗（乔伊·斯塔尔 Joey Starr 饰）的警察出现在了文森的身边，殊不知他的所作所为将会彻底改变这位青年的命运。接二连三的意外让文森被迫处于争斗的漩涡中心，不断沉浮于阴谋和罪恶之中。特警队指挥官查韦斯（热拉尔·朗万 Gérard Lanvin 饰）和行动大队指挥官德纳尔（西蒙·阿布卡瑞安 Simon Abkarian 饰），两人之间的矛盾已经到了无法调解的白热化程度，他们一位是文森的保护者，一位是他的师父，身陷在恶斗的中心，文森将会作出怎样的选择？
何伶
回复 :高中生大洋（三浦春马 饰）同好友田口和小林一起前往海边度过漫长的暑假，他们原本准备居住在田口家位于海边的别墅内，没想到却在刚刚抵达之时就将钥匙弄丢了。这下可好，三名少年落得了一个无家可归的境地。就在三人百无聊赖的躺在海滩上之际，走来了一个名为杜克河原（竹中直人 饰）的男人。河原经营着一间冲浪用品商店，善良的他收留了没地方去的三名少年，作为报答，三个男孩要帮助河原打扫以及管理店铺。某日，在店内，大洋邂逅了名为茱莉亚（加藤罗莎 饰）的美丽少女，和大洋一样，茱莉亚也热爱着冲浪。相同的年龄，相似的爱好让两个年轻人很快就走到了一起。
集束月光
回复 :故事以一条全身纯白的巨型鲸鱼莫比敌为中心发展，它是一条被水手们视为魔鬼化身的凶猛鲸鱼。船长阿哈伯在捕捉它的过程中被咬掉了一条腿，这种屈辱与伤痛更激发起他一定要打败这条巨鲸的决心。
漂亮亲戚
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
