贷款上班的银行社畜司清（卢洋洋 饰）是个十足的美强惨，海边工作业绩斐然，海边过着追求车子房子票子的“俗气”生活。为了追回一起不良贷款，她与传统手艺匠人景琛（陈鑫海 饰）初次相遇。一个是被追债任务”绑架“而充满铜臭味的白领，一个是没车没房没票子，却坐拥田园，与青山绿水围绕的清冷手工匠人。互相看不顺眼的两人“相见相杀”般地纠缠不清。在冬至生日的这天，被父母遗忘、被同事孤立的司清内心狼狈不堪，终于到了成年人的崩溃边缘。直到在璟园那充满江南风韵的长廊下，景琛一碗冬至习俗的甜酒鸡蛋，被司清误认为是生日唯一的温暖，冲动之下提出结婚。而景琛，也因司清手中握有另外半卷题跋，进而答应了她的要求。 然而，结婚只是开始。
苏志威
回复 :2007年，地球基础科学出现了异常的扰动，科学界人心惶惶。离奇自杀的科学家，近乎神迹的倒计时，行事隐秘的科学边界，神秘莫测的《三体》游戏……纳米科学家汪淼被警官史强带到联合作战中心，并潜入“科学边界”组织协助调查，在调查过程中，汪淼和史强接触到一个名为ETO的组织，并发现《三体》游戏的秘密，竟是两个文明为了生存空间，孤注一掷的生死相逐，在众人的共同努力下，汪淼、史强等人坚定信念、重燃希望，带领大家准备一起面对即将来临的人类危机。
辛欣
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
罗震环
回复 :《小菊的秋天》的主人公是一名来自湖南农村的姑娘小菊，她原本是到深圳与未婚夫结婚，结果却接到了未婚夫几天前出车祸去世的噩耗。独自留在异乡的小菊虽然到处碰壁，却凭着乐观的态度不断奋斗，最终找到了自己的位置和爱情。王传一则再次饰演一名白马王子，家境殷实、风度翩翩，经过了一系列的误会与挫折，终被小菊的善良与努力所打动，上演了一段唯美的爱情故事。
