叶枫
发表于6分钟前
回复
:丹尼尔?希拉德(罗宾?威廉斯 饰)因与同事产生摩擦而辞掉了配音员的工作。家中可爱的孩子给了他十足的快乐,于是丹尼尔在儿子生日的时候,与孩子们疯狂的玩耍起来。当妻子米兰(莎莉?菲尔德 饰)达看到家中一片狼藉后十分生气。面对不争气的丈夫,米兰达决定与之离婚,因为没有工作,丹尼尔也失去了孩子的抚养权。丹尼尔对孩子们无比思念,突发奇想乔装成一名老太太——道特菲尔太太应聘成为妻子家中的佣人。不懂家务的丹尼尔闹出了不少的笑话,却无形中为米兰达减轻了负担,孩子们也开始依赖这名“老太太”,“道特菲尔太太”成为了他们家中的重要一员,丹尼尔也因此改变了不少。但面对米兰达的新男友的恋情,“道特菲尔太太”暗中捣乱。米兰达生日当天,丹尼尔需要以真实身份与“道特菲尔太太”的身份周旋与电视台主管与米兰达之间,使他狼狈不看。匆忙间会否被米兰达识破身份呢?
郝菲尔
发表于9分钟前
回复
:Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.