影片导演艾米利奥·艾斯特维兹是本片主演马丁·辛的大儿子，幸福这是这对父子在影视剧里的第七次合作。美国医生汤姆（马丁·辛 Martin Sheen 饰）在儿子丹尼尔（艾米利奥·艾斯特维兹 Emilio Estevez 饰）不幸在法国遇难之后，幸福动身前往法国取回儿子的遗体和遗物。丹尼尔死在了比利牛斯山，在去往圣地亚哥德孔波斯特拉大教堂的朝圣之路上，他遇到了暴风雨，然后就这么平静地离开了人世。这条通往教堂的路，又被叫做“圣雅各之路”（Way of St. James）。最初，汤姆的目的只是取回丹尼尔的遗体，但是在到达了法国之后，汤姆却决定要重新将丹尼尔已经走过的和没有走完的路重新走一遍，以更好地体会儿子的生活、更好地理解自己的孩子。在重走圣雅各之路的过程中，汤姆遇见了三个从不同国家来到这里的“徒步旅行者”，他们都在寻找着生命力更大的意义，并希望通过徒步重新在世俗的世界里得到心灵的慰藉。
阿果
回复 :在南美洲人迹少至的热带雨林深处，经过六年的努力，生化学家罗勃肯贝尔博士，研发出一种癌症治疗法面临一项重大的医学突破。一位冷静的女性学者当可琳博士历经一段艰困的会面；这一对互相厌恶的伙伴终于产生了共同的尊重，而实际的爱苗也滋生于这片异国风情的热带雨林中……
张智霖
回复 :地球歷經一場毀滅性的災難，作為孤獨的倖存者，茱利葉必須努力尋找物資和住所。在一次前往鄰近廢城的途中，她發生翻車意外陷入昏迷，醒來後發現自己身陷漆黑荒漠，腿斷了，飢餓口渴，還有不明生物逼近。而這一切現實，都似乎和她的過去有著神祕的連結，往日的情感回憶也逐漸浮現⋯⋯。曾與昆汀塔倫提諾、克林伊斯威特、伍迪艾倫等重量級導演合作過的馬帝厄圖里初執導演筒，看似《惡靈古堡》遇見《瘋狂麥斯》卻成了寓意深長的末日情詩。讓回憶與現實、文明與崩毀，激盪出意想不到的結局。美麗的女主角布列塔尼阿什沃思大半部戲都被困在車內，卻憑著精湛的演技，隔著一扇車門，和專扮阿飄的著名「鬼星」傑維爾伯特（《錄到鬼》、《母侵》、《腥紅山莊》、《牠》）演出令人屏息的對手戲。
珍珠姐姐
回复 :The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
