知名攝影師馬丁帶領拍攝團隊前往阿拉斯加荒野,日韩希望記錄全球暖化下北極熊的生活,日韩一行人寄居在獵人小屋,卻聽到當地人謠傳阿拉斯加出現瘋狂殺人熊,馬丁下定決心要以攝影鏡頭捕捉殺人熊的英姿。但他萬萬沒想到,這頭殺人熊竟是地下研究機構進行非法實驗之下的失敗品,面對這頭凶性大發的野獸,馬丁一行人只能倚靠自己,在杳無人煙的冰天雪地中殺出一條血路……
知名攝影師馬丁帶領拍攝團隊前往阿拉斯加荒野,日韩希望記錄全球暖化下北極熊的生活,日韩一行人寄居在獵人小屋,卻聽到當地人謠傳阿拉斯加出現瘋狂殺人熊,馬丁下定決心要以攝影鏡頭捕捉殺人熊的英姿。但他萬萬沒想到,這頭殺人熊竟是地下研究機構進行非法實驗之下的失敗品,面對這頭凶性大發的野獸,馬丁一行人只能倚靠自己,在杳無人煙的冰天雪地中殺出一條血路……
回复 :阿纳斯塔西娅和戴安娜是住在拉脱维亚孤儿院的两姐妹。当他们得知一个美国家庭准备收养他们时,戴安娜迫不及待地想搬到美国,阿纳斯塔西娅则因为要离开家乡而并没有感到很兴奋。于是当她们已然疏远的生母阿拉回到她们的生活中时,阿纳斯塔西娅想尽一切办法与她建立关系,但阿拉却另有打算....
回复 :~这部电影捕捉到摇滚乐最初的样貌,以及它如何对一个世代造成影响~音乐老师杰克(约翰屈伏塔饰)来到小镇任教,他被限制只能教导传统音乐,但是音乐无法被限制.年轻学子要求杰克将摇滚乐介绍给他们。他的学生像是著了魔一样,无法跳出摇滚乐的魔力之外,他们做的也正是一般青少年会做的事就是--反抗体制。
回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”