雷夫（本•阿弗莱特）和丹尼（乔什•哈奈特）是一对自小玩在一起的好兄弟，草莓两人对飞行都有很大兴趣，草莓曾一起学习过驾驶飞机，二战初期，两人又一起加入了美国空军部队。受训期间，雷夫与军中医院里的女护士伊弗琳（凯特•贝金赛尔）坠入爱河。为协助欧洲各国抵抗纳粹德国的侵略，美军决定派出精英部队前往欧洲大陆，雷夫自告奋勇前往参战，并将伊弗琳托付给丹尼照顾，不久，噩耗传来，雷夫的飞机在空战中不幸被德军击落，生还可能几乎为零。伊弗琳与丹尼在相互勉励的伤痛中，萌生爱情。令他们没想到的是，雷夫并没死去，当三人重聚首时，尴尬顿生。日军偷袭珍珠港一事帮他们解了围，雷夫与丹尼决定不做情敌做战友。
伦永亮
回复 :90年代，中国中部沿江小县淮川的一起凶杀案，模拟画像师章欣奉命前往画出嫌疑人。却意外画出了一个已经死去了十多年的女人，是原来县文工团的一个舞蹈演员严华。当全部人都觉得章欣画错时，案子却又诡谲的和80年代的一起连环谋杀案关联在了一起。章欣为了证明自己，一步步走向这迷雾之中......
夏韶声
回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
上户彩
回复 :本影片讲述了苏吉、苏欣然、花嘉懿、李卓一行四人在出海游玩海钓时，因突发意外而流落荒岛后，四人一边解决生存问题一边想方设法离开荒岛、重返大陆的过程中，偶遇并挫败了畏罪潜逃至此的炳九、肥英团伙，随后成功脱困并且第一时间报警，让坏人被绳之以法的故事。影片通过对苏吉、苏欣然、花嘉懿、李卓四人一起敢于面对困难、坚持不懈的寻找脱困之机的描述，表现了自强不息、积极向上的人生观和价值观，以及面对困难时团结一致的态度理念和友情、亲情的重要性。而发现炳九和肥英这两名畏罪潜逃嫌疑人后的处理方式，以及揭露他们身份、并且与之斗智斗勇的桥段，更是阐述了团队的力量，树立了身怀正义感的群众形象，同时还传达了天不藏奸、多行不义必自毙的主题。
