本片是一部荒诞家庭生活剧,公文通过一次夜晚聚会围绕两对青年夫妇,公文相互指责,相互冷嘲热讽,相互暴露隐私而展开剧情,通过碎片化,含混化夸张变形荒诞的艺术形式,表现出婚姻关系真实与虚幻之间的关系,物质文明与精神文明之间等方面现实的矛盾。使观众对自己的生活环境,社会环境有所认识,期待通过爱来克服人的孤独感,使人和睦相处,爱使人和世界重现联系起来。影片在最后通过张扬夫妇两人在情绪平静后,互相表达了对对方依念和对未来生活的美好愿景。
本片是一部荒诞家庭生活剧,公文通过一次夜晚聚会围绕两对青年夫妇,公文相互指责,相互冷嘲热讽,相互暴露隐私而展开剧情,通过碎片化,含混化夸张变形荒诞的艺术形式,表现出婚姻关系真实与虚幻之间的关系,物质文明与精神文明之间等方面现实的矛盾。使观众对自己的生活环境,社会环境有所认识,期待通过爱来克服人的孤独感,使人和睦相处,爱使人和世界重现联系起来。影片在最后通过张扬夫妇两人在情绪平静后,互相表达了对对方依念和对未来生活的美好愿景。
回复 :约翰(本·卓别林 Ben Chaplin 饰)是小镇上的银行职员,多年来孤独而又单调的生活让他的感情世界空虚异常,在寂寞的驱使下,他竟然鬼使神差地在一个名为“爱在俄罗斯”的交友网站上订购了一位俄罗斯女郎纳迪亚(妮可·基德曼 Nicole Kidman 饰)。在网站资料介绍中,纳迪亚个性开朗温柔贤惠,更妙的是,她还会说一口流利的英语,和约翰之间的交流基本上没有障碍。然而,当约翰满心欢喜地到机场去接远道而来的纳迪亚之时,他才发现,她所谓的流利英语,只有一个单词,那就是“yes”。随着时间的推移,约翰渐渐发现了纳迪亚的美妙之处,她所绽放出来的激情和魅力足以抵消其他的所有不足。纳迪亚的生日很快就要来临,约翰准备替她准备一场隆重的庆祝,此刻的他还不知道,那日,两个不速之客的到来将彻底改变他的命运。
回复 :在战斗的最后取回了自己的世界,各自回到自己应在之处的Gatchaman=健、Tekkaman=城二、Polimar=武士、卡辛=铁也四人。但他们为了某个目的,而和笑一同再次跨越时空,降临同一个世界。那里,是威胁和平的人类之敌“恶魔党”大施淫威,与之对抗的Gatchaman率领的“科学忍者队”不停战斗的世界。但,在对于这个世界的样子感到违和感的他们面前,一个男人的身影出现了。那是科学忍者队的创设者南部博士。对本应相识的健露出诡异表情的南部,向英雄们说出了意想不到的话语。“看来你们似乎是我的敌人”……。此外,还有一个一直在楼顶窥视他们的身影。那是曾和健一同并肩对抗恶魔党的,科学忍者队No.2。其名为“神鹰乔”。四大英雄的全新激斗,将在银幕上拉开帷幕!
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.