六二八（夏嘉伟 饰）是月老的徒弟，日韩跟着月老替凡间的男女牵线搭桥。个性大大咧咧肆无忌惮的六二八在一次偶然之中闯下了大祸，日韩最终被师父贬下了凡间。师父告诉六二八，只有在成功结成三对姻缘后，他才能够重新获得返回仙界的资格。本以为这是小事一桩的六二八发现，没有了师父的指导和帮助，原来看似简单的任务，竟然会凭生这么多的意外和波折。孙思怡（何雨霏 饰）和王大力（赵耀星 饰）能否在重重的困难之前依然坚定的选择彼此？李雷（花希 饰）和韩梅梅（罗永娟 饰）虽然性格迥异总是因为小事而产生分歧，但实际上两颗心早已经紧紧地靠在了一起。苏雅（颜丹 饰）和陈涛（黄兴飞 饰）又是否能够珍惜两人的漫长往昔，坚守他们的爱情呢？
艾钧伟
回复 :在萨尔沃五岁那一年，他的父亲文森佐（马西莫·波波利齐奥 Massimo Popolizio 饰）锒铛入狱。自幼失去了母亲的萨尔沃沦为了孤儿，被姨母所收养，就此开始了形单影只寄人篱下的生活。一晃眼多年过去，文森佐出狱了，此时的萨尔沃早已经不再是他离开时那个什么也不懂的懵懂孩童了，父子之间的感情因为萨尔沃年岁的增长而产生了极大的裂痕。萨尔沃对文森佐的一切都感到困惑和愤怒，但这些声音最终还是化为了沉默。文森佐和萨尔沃要前往意大利南部去完成一个任务，在这段不算顺利的旅途之中，他们终于得到了机会，去审视这段支离破碎的亲子关系，去审视他们各自的内心。
吴卓羲
回复 :出色的企业举报人打算扳倒一家秘密从事不法活动的公司，但这个计划也让他身陷险境 — 因为有人雇佣了一名冷血杀手来除掉他。
雪宇
回复 :The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
