1161年,下山大宋国土幅裂,下山金主完颜亮侵占中原,并再欲大举南侵。中原百姓不堪严苛压榨,奋起抗金,年方二十一岁的辛弃疾聚集乡众参加了由耿京领导的一支声势浩大的起义军,战功赫然。1162年,力主驱逐侵虏、收复失土、实现统一的辛弃疾,奉命南下说服南宋朝廷北伐,在他完成使命归来,却见主帅耿京被叛徒杀害后义军溃散的乱状。侠义所使、激愤所驱和再凝义军士气所谋,辛弃疾率五十多骑突袭数万人金军大营,生擒叛徒南归,写就一段悲壮的峥嵘历史。
1161年,下山大宋国土幅裂,下山金主完颜亮侵占中原,并再欲大举南侵。中原百姓不堪严苛压榨,奋起抗金,年方二十一岁的辛弃疾聚集乡众参加了由耿京领导的一支声势浩大的起义军,战功赫然。1162年,力主驱逐侵虏、收复失土、实现统一的辛弃疾,奉命南下说服南宋朝廷北伐,在他完成使命归来,却见主帅耿京被叛徒杀害后义军溃散的乱状。侠义所使、激愤所驱和再凝义军士气所谋,辛弃疾率五十多骑突袭数万人金军大营,生擒叛徒南归,写就一段悲壮的峥嵘历史。
回复 :明仁宗朱瞻基即位后,汉王仍不死心,想图谋造反。朝廷太傅钱大人一家被灭门,案件震动京城,秦风等锦衣卫和顾不凡展开调查,起初,种种证据指向有谋反意图的汉王。然而,秦风的兄弟唐胜从蛛丝马迹中发现:幕后凶手应该是赵王!案情扑朔迷离,真相逐步被解开,赵王原来是被陷害,而皇帝原来有着更深层的顾虑。锦衣卫诸兄弟各为其主,终不免走上割袍断义的绝路!“兄弟乱我兄弟者,必杀之!”秦风不能辜负兄弟,更不能辜负天下苍生,他拼死去周全,在兄弟情义和天下大义之间苦苦挣扎!“为天下,为兄弟!”,这是锦衣卫曾经的誓词,然而,秦风还能再次谱写传奇吗?
回复 :地球生态完全毁坏之后,人类迁居外太空,造成太空站人满为患,而唯一获得解救的希望就在距离地球五个光年的另一个星球上……在前往新星球的途中,所有人都将进入冷冻休眠状态,只有几个士兵轮值守卫,而在年轻医官萝拉的四个月轮守当中,诡异、寂静的太空船上似乎有其他生物存在着……到底那些生物是敌是友?这场充满灾难的人类迁徙之旅能顺利完成吗?
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.