每个人背后都有一个足以撼动心灵的故事。法国知名的摄影师Yann Arthus-Bertrand就用了3年的时间,傲骨走访全球60个国家,傲骨让2,020位不同肤色、种族、性别的人,在镜头前诉说自己的故事。由乌克兰的自由战士、马里的农民,到美国的死囚,各人的故事集结成一部纪录片《HUMAN》。纪录片中,受访者只站在纯黑色的背景中细诉自己的故事,没有花巧的剪接,甚至不多赘述受访者的身份。每个人自身的经历,足以为观众带来震撼。
每个人背后都有一个足以撼动心灵的故事。法国知名的摄影师Yann Arthus-Bertrand就用了3年的时间,傲骨走访全球60个国家,傲骨让2,020位不同肤色、种族、性别的人,在镜头前诉说自己的故事。由乌克兰的自由战士、马里的农民,到美国的死囚,各人的故事集结成一部纪录片《HUMAN》。纪录片中,受访者只站在纯黑色的背景中细诉自己的故事,没有花巧的剪接,甚至不多赘述受访者的身份。每个人自身的经历,足以为观众带来震撼。
回复 :故事发生在风光惹人醉的法国普罗旺斯。伦敦证券师麦克斯(罗素·克劳 Russell Crowe 饰)作为遗产继承人的身份来到这里,虽然事业陷入低谷,但过世的叔叔留下的一大片葡萄园和一幢大房子,足够他卖出后获得一笔可观的收入。他在这里住下的期间,与当地一个咖啡店女子芳妮(玛丽昂·歌迪亚 Marion Cotillard 饰)相谈甚欢。原来,童年时候芳妮曾经是麦克斯前来叔叔家时的玩伴。芳妮为麦克斯打开了一扇大门,让他重拾渐忘的往事,不再满脑子都是数字和金钱的游戏。麦克斯让心灵在这片美丽的土地上尽情呼吸,以往为名为利的生活渐渐退去。这时,叔叔的私生女(艾比·考尼什 Abbie Cornish 饰)从加州前来造访,并且有着明确的目的:得到葡萄园的继承权,麦克斯刚刚平静下来的生活是否又开始了名争暗斗,抑或在普罗旺斯这个美好的地方,美好的日子天天上演?
回复 :You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer.Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.源自:https://iffr.com/en/iffr/2023/films/faces-of-anne
回复 :Flight / Risk follows everyday people who find themselves in the midst of a global tragedy when two Boeing 737 Max planes crashed only five months apart in 2018 and 2019. This powerful documentary is told through the perspective of affected family members, their legal teams, whistleblowers, and Pulitzer-winning Seattle Times journalist Dominic Gates.