原田智与初中生的女儿枫原本平静地生活在大阪下町。“爸爸，肥宅我今天看到连环杀人犯的通缉令上面写着，肥宅抓到能领300万呢”。枫的这番话自然被当作了玩笑，可谁知第二天，智突然就从人间蒸发了。被丢下一人的枫抑制住孤独与不安的情绪，想去寻求警察的帮助，却被以“大人要是失踪了基本结局只有一个”这样一句话给打发了。即便如此，她依然极力追寻线索，得知在做日工的地方有她父亲的踪迹。于是她跑到那里呼喊着“爸爸”，可作出反应回头的男子却是一个她从未见过的年轻人。失落的她来到了被随意粘贴的通缉令前，突然发现那人正是之前回头的男子——。
张睿恩
回复 :农历七月，盂兰将近。街头巷尾阴风惨淡，鬼影幢幢，自是一番萧索凄凉景象。晦暗的小巷，走来了在大陆经商失败的宗华 （张家辉 饰），他被朋友骗的倾家荡产，更遭遇了人生苦痛的变故，所幸年事已高的父亲接纳了他。他的父亲啸天（林威 饰）是一家神功戏的班主，此时正组织团员们抓紧彩排准备为鬼神上演一年一度的大戏。谁知在开戏前啸天突然病倒，而没有任何经验的宗华临危受命成为代班主。他手忙脚乱，难以服众，多亏美丽花旦小燕 （刘心悠 饰）出手相助，二人似乎更借此生出好感。但是越临近演出的日子，诡异恐怖的事件便越多。叛逆的妹妹突然转性、小燕时冷时热、一闪而过的毁容女子、自己跳楼的身影。冤有头，债有主，所做何因受何果，纵逃到天涯海角奈若何……
法兰茜斯嘉
回复 :本片 荣获第四届深圳青年影像节纪录片类 最佳创意奖 ，香港中文大学、 第二届中国民族博物馆 永久收藏奖 。有意想观看的，可联系版权方微信：1714371600《加一》颠覆大众对留守儿童的固定思维，以独特的视角呈现最真实的留守儿童生活。加一是一名留守儿童，父母常年在外打工，每次短暂的相聚都会牵动加一幼小 的心灵：长途 跋涉和爷爷去看望在外打工的父母，离别时躺在爸爸腿上静静落泪；春节过后妈妈提前出去打工，没有说再见是因为偷偷躲在被 窝里泣不成声。然而父母离开后生活依然要继续，忍受过难尝的别离滋味后，依然要忘掉烦恼，快乐地和同学玩耍，淘气地逗哭弟弟后又像大人一样哄着他。每天和弟弟徘徊在哭与笑之间，就这样在痛与乐中成长着。留守儿童并不是“苦逼”的代名词，他们有他们的快乐，有他们的纯真，他们也确实要忍受不一样的孤独和无奈。大时代下的小人物，他们的生存状态是这个时代的特殊印迹。The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them; lying on her father’s leg and crying silently is her way of resisting saying goodbye; Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.“Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.
沈人杰
回复 :1989年是电视影像的黄金年代，要红、要上位，外表就要够抢眼！安娜一心打算在MTV电视台大展拳脚，怎料却被高层嫌造型太差。为博成名，她决定织髮换形象，结果有如施展了魔法般，事业开始起飞。可是安娜慢慢发现，伴随名利而来的代价竟然异常巨大──她那头新秀髮竟然有自我意识，甚至令她陷入死亡危机！
