宋诗乔（Angelababy/杨颖 饰）经常独自对着录音机说出自己心中的秘密。因为她患有的先天性疾病，澛澛让她无法从事任何剧烈运动，澛澛甚至还有失忆的征兆。所以，诗乔习惯了用录音机记录下自己生活的点点滴滴。同时，她也习惯了经常服用药物带来的诸多不便。看在眼里，痛在心头的母亲郑青（江珊 饰）对诗乔的关怀无微不至，母女俩相依为命，但是母亲最大的心愿就是让女儿能够体会爱情的美好。正是青春年少的诗乔，也突然发觉身边缺少一个可以分享感受的伴侣。一次偶然的机会，她在游乐场扮演卡通玩偶的时候，巧遇了引吭高歌的摇滚青年——高中同学宫宁（赵又廷 饰），后者便对她展开了爱情攻势。两人堕入爱河，这也是诗乔第一次感受爱情的美好。而宫宁也开始鼓励诗乔实现跳舞的梦想。然而，爱情从来都不会一帆风顺……
江智民
回复 :明代故事：已故太原守备之女陈秀英与母开茶馆为生，其父留一铁弓，遗言能开弓者即以女许婚。太原总镇史须龙之子欲娶秀英，被陈母痛打而逃。陈母造之，遇史部将匡忠解劝，约回茶馆。秀英钟情于匡， 匡又能开弓，二人比武成婚。史须龙父子合谋命匡父子解钩，暗地却买通关白劫伪。匡父子因失伪发配云南。史子又去逼秀英，秀英假意允婚，将其杀死J母女同逃，投匡友王富则。不料， 富刚正来访匡，被史家丁拿获，王督抚知其冤，赦之。秀英乔扮男子， 冒富刚名，路上遇关白之女翠娥，许婚。秀英假约三事后、成礼，代掌兵权。起兵攻太原，杀史须龙报仇。王督抚令富刚出战，真假富刚交战无胜负，王又调回匡父子， 匡与秀英相见，夫妻团圆。一名《英杰烈》、《豪杰店》。《开茶馆》一折有时单独演出。荀慧生代表作。
山下达郎
回复 :民国初年，村民刘风带领众人上山挖矿，不料惊醒了沉睡百年的大蛇，在逃亡的过程中，只有刘风活了下来；几天后，村里开始举办祭祀活动，并且邀请了江湖道士成州一同参与，意图剿杀蛇王，成州误打误撞杀了大蛇。可接下来村民依然遭受大蛇的袭击，不停的有人失踪，一场惊心动魄的人蛇大战拉开序幕……
ɣ
回复 :Siddartha (Dhritiman Chatterjee) is forced to discontinue his medical studies due to unexpected and brutal death of his father. He has to now find a job in stead. In one job interview, he is asked to name the most significant world event in the last ten years. His reply is 'the plain human courage shown by the people of Vietnam', instead of the expected - man landing on moon. The interviewer asks is he is a communist. Needles to say that he does not get the job.He reaches a coffee shop where he is offered to work for the communist party. When he does not show any interest the party leader tells him about an opening for a medical representative. To escape from the heat and have a snooze, he goes in to a cinema. As a government propaganda newsreel is being shown before the feature, a bomb explodes in the cinema hall. In the stampede that follows, Siddartha, breaks his watch. He goes to a watchmaker but he cannot afford the repairs.Waiting to cross the road, he notices a sexy girl. He drifts back to his days as a medical student in a flashback. The professor is explaining anatomy of female breast. Many flashbacks and dreams occur to Siddartha through the film.On his way to hostel, he has an encounter with some hippies. Along with an ex-classmate, he goes out to see a porn film but to their disappointment, the film turns out to be not-so-pornographic.In such constant wandering in a Calcutta, disintegrated relationships with his sister and a Naxalite (militant communist) brother, his friendship with Keya is only thing that keeps him sane.Keya is a simple girl. They enjoy each other's company but they cannot make any commitment to each other due to the circumstances.After yet another attempt at a job interview, Siddartha leaves the big city to take a modest job of a salesman in a far off small town. He writes to Keya that he still cherishes their relationship. And that he has heard that bird call again but this time it is for real, and not his mind. After completing the letter, he comes out to the balcony of his modest room. The bird calls again. He also hears the sombre chants of a funeral procession. As he turns to the camera, the picture is frozen.This is the first film of the Calcutta Trilogy. The other two were and Seemabaddha (Company Limited, 1971) and Jana Aranya (The Middle Man, 1975). All the three films study the effect the big city of Calcutta has on the educated youth and the price it extracts from them.The seventies were a difficult period for India and West Bengal. The Corruption was rampant; the Naxalite movement had created havoc in Calcutta. In fact, they had turned parts of Calcutta into 'liberated zones'. By the time the Naxalite movement died down, in 1975, Mrs. Indira Gandhi (then, Prime Minister of India) suppressed the fundamental rights and declared "Emergency" for her own political survival. Her son, Sanjay Gandhi became a dictator of sorts without any official designation. The opposition leaders were thrown into prisons.About his social responsibilities as a filmmaker, in an interview with Cineaste magazine, Ray commented, "You can see my attitude in The Adversary where you have two brothers. The younger brother is a Naxalite. There is no doubt that the elder brother admires the younger brother for his bravery and convictions. The film is not ambiguous about that. As a filmmaker, however, I was more interested in the elder brother because he is the vacillating character. As a psychological entity, as a human being with doubts, he is a more interesting character to me. The younger brother has already identified himself with a cause. That makes him part of a total attitude and makes him unimportant. The Naxalite movement takes over. He, as a person, becomes insignificant."In a letter to Seton in 1970, Ray wrote that Pratidwandi was the most provocative film he had made till then. The film is said to have evoked extreme reactions. "People either loved the film or hated it", Dhritiman Chatterjee told Andrew Robinson, Ray's biographer.
