爽A中文字幕一区
地区:德国
  类型:动作
  时间:2025-05-16 06:45:18
剧情简介

中文字幕In small czech town named Jilemnice live unfortunate, but brave and jovial woman Štěpa Kiliánová, whose only desire was to fill the void in her virgin life. In despair and excessive trust, she married a sardonic, reclusive man, former lieutenant and gambler Pavel Malina, whose only wish was finally found peace and forgetting the past. They lived through unrequited love, dislike and disappointment. But no one knew that her groom begin to show signs of cerebral disease, which in the coming years engulf his sanity.

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明星主演
西皮士
蔡俊威
纪佳松
最新评论(267+)

计镇华

发表于8分钟前

回复 :影片叙述一个妓女和她的情人寻求拯救他们灵魂的道路,使他们从污泥中的儿女变成太阳下的儿女。当剧中的男主角鼓起勇气在象征邪恶的坏蛋脸上打了一个耳光以后,他们两人终于获得了他们所追求的目的。


谜谣乐团

发表于7分钟前

回复 :解放前的浙东沿海,渔民李八十四(于文仲 饰)不堪渔霸陈占鳌(李林 饰)的强取豪夺,和刘大伯(王炳或 饰)一起组织渔工斗争,被海匪杀害,年幼的海霞(蔡明 饰)盼望着解放军的到来,为穷人们报仇。渔村终于解放了,海霞在方指导员 (赵联 饰)的培养教导下,逐渐成长为女民兵排长。解放前逃到台湾的陈占鳌又派海匪黑风(于绍康 饰)来村里和当年的帐房先生尤二狗(陈志坚 饰)接头,妄图里应外合,配合台湾的陈占鳌反攻倒算。他们在岛上制造了一系列破坏活动,在领导和群众的支持帮助下,海霞带领女民兵揪出了暗藏的敌人,破获了敌人要从海上进犯的情报,全岛军民磨拳擦掌,等待来犯之敌......本片根据黎汝清小说《海岛女民兵》改编。


小西康阳

发表于4分钟前

回复 :与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).


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