剧情简介
全世界的科学家都在努力研究如何与蝗虫作战，火星力求揭开关于这种昆虫的长期谜团，火星其中许多其实都是误解。对于蝗虫，我们到底了解多少？在什么情况下，性情温和、喜好独居的"蟋蟀"会忽然变形而且数量激增，从而发展成自然灾害，并酿成人类的饥荒？本辑节目所提供的信息将帮助我们更好地了解近期发生的一些蝗灾。
火星异种第二季
全世界的科学家都在努力研究如何与蝗虫作战，火星力求揭开关于这种昆虫的长期谜团，火星其中许多其实都是误解。对于蝗虫，我们到底了解多少？在什么情况下，性情温和、喜好独居的"蟋蟀"会忽然变形而且数量激增，从而发展成自然灾害，并酿成人类的饥荒？本辑节目所提供的信息将帮助我们更好地了解近期发生的一些蝗灾。
蔡一智
回复 :你我皆唐门，生在绝世中——腾讯视频《斗罗大陆绝世唐门》动画正式启动！
大桥利恵
回复 :解密第二次世界大战中最具传奇色彩的战斗机，世界上第一架“隐形”飞机，及军用飞机中的瑞士军刀等。它们是世界历史上及未来的空中勇士，已经突破了航空，引力和战争的界限。探索F6F地狱猫战斗机，F-22猛禽战斗机，OV-10野马攻击机等的内幕故事。
金享中
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
