剧情简介
四十歲往往被女性視為人生分水嶺，欧美遲婚、欧美高齡生育等問題固然困擾，單身一族還要花盡心思，務求在感情市場保持競爭力。踏入「女人四十」的田蕊妮，分別邀請年紀相近的車婉婉、谷祖琳、杜如風及多位圈外素人現身說法。阿田還以第一身角度探討、體驗女士們熱切關注的生理及心理疑難，為廣大「中女」排難解憂，讓姊妹們衝破年齡界限，活出自信！譚俊彥、黎諾懿等男士亦會加入討論互動，從男人觀點細談兩性議題，帶出男女四十大不同。
欧美性爱怡红院
四十歲往往被女性視為人生分水嶺，欧美遲婚、欧美高齡生育等問題固然困擾，單身一族還要花盡心思，務求在感情市場保持競爭力。踏入「女人四十」的田蕊妮，分別邀請年紀相近的車婉婉、谷祖琳、杜如風及多位圈外素人現身說法。阿田還以第一身角度探討、體驗女士們熱切關注的生理及心理疑難，為廣大「中女」排難解憂，讓姊妹們衝破年齡界限，活出自信！譚俊彥、黎諾懿等男士亦會加入討論互動，從男人觀點細談兩性議題，帶出男女四十大不同。
反光镜乐队
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
徐乃麟
回复 :爱尔兰幻术师、感应大师及魔术师Keith Barry，在节目中大展读心及植入想法进而影响他人行为的本领，引人入胜。来自爱尔兰的Keith Barry，是幻术师兼感应大师及魔术师，也是2009 年国际魔术师学会颁发的「年度感应大师」最高荣誉梅林奖得主，还被封为拉斯维加斯09 年最佳魔术师。他曾主持《Close Encounters with Keith Barry》、《Keith Barry : Extraordinary》等结合读心及魔术的节目，于新节目《看穿读心术》（Deception with Keith Barry），他就展示其如何靠密切观察一个人的肢体语言、呼吸方式，以及细微的眼部动作，即能看穿实验对象的心思，甚至影响对方的行为。
吉田美和
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