璎珞与师父初到京城搭班唱戏，杯酒遇到了大学生顾铭轩，杯酒两人一见钟情，私定终身。不久铭轩被抓回家。军阀混战开始，顾家逃难离京；师父也暴病身亡，璎珞孤身一人，挺着身孕，重返梨园。一年后，璎珞遇到京城南区的帮派老大杨隆恩。杨同情璎珞，帮忙寻找顾家人。但此时的铭轩已被逼娶了另外的妻子。璎珞撕碎了结婚证明，成了杨夫人。铭轩为振兴家业，不得不与杨的宿敌柳三爷合作，柳三爷借铭轩之手害死杨，万念俱灰的璎珞把孩子交给铭轩，决意与柳三爷玉石俱焚……
白玉昆
回复 :东西两德合并后，东部瞬间没落。失去工作的青年也失去了生活的目标。随着外籍移民的不断涌入，矛盾日益扩大，仇恨在蔓延。九十年代初期，多个城市爆发了新纳粹主导的排外骚乱活动。本片的背景正是那个时候的罗斯托克。这部近期的德语高分影片获今年的德国电影奖多项提名，并获得最佳男配角奖。
废五金
回复 :作家本杰明·密（马特·达蒙 Matt Damon 饰）生性喜爱冒险，然而半年前的丧妻之痛令他至今无法释怀，儿子迪伦和小女儿洛希同样不能适应失去母亲的生活，迪伦因偷窃和阴暗的美术创作导致被学校开除，本杰明没有听从哥哥邓肯的建议，拒绝从新的爱情中获取乐观心态，也放弃了专栏写 作，筹划和儿女换到全新的环境继续生活。而本杰明的新家居然是一座荒废的动物园！因为看到了洛希和动物的友好接触，本杰明决定接收这座还收留着众多动物的野生动物园，并带领管理人凯莉（斯嘉丽·约翰逊 Scarlett Johansson 饰）率领的留守团队重新修葺动物园，希望在夏季开放之前，迎来动物园的再度营业和自己家庭的新生……
苏醒
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
