牵牛（车太贤饰）第一次与她（全智贤饰）邂逅，社区就毫无浪漫感可言。在地铁上她就语出惊人，社区喝的醉醺醺的她大声训斥不自觉给老人让座的人，吐完之后就软趴趴地倒了下来。善良的牵牛上前接住，于是就只好背着她到旅馆投宿了。但是好心不一定有好报，牵牛正在好好洗澡时就被冲进来的警察带走了。然而这两个人却从此开始约会了。她很霸道很任性，然而当她用那张可爱的面孔对着你笑时，你也忍不住心软。于是牵牛也心甘情愿地被她折磨。渐渐的，牵牛感觉到她的内心受伤了，他用尽全力去呵护去保护，她仍然缺乏安全感。虽然在一起很快乐也很感动，她却仍然提出了一个难以接受的约定：让我们先分开吧……
白智英
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
解昕怡
回复 :拳手林健儿（吴奇隆 饰）不甘受黑社会大哥阿勇（陈松勇 饰）的摆布，拒打假拳，准备携家逃跑却被抓回……出身警察世家的杨重（金城武 饰）因行事莽撞杀死了线人，丢了公职又犯下杀人罪；一干天涯沦落人在火烧岛监狱服刑，股票大王吴世达（吴孟达 饰）在狱中成为众人觊觎的目标，幸有酒鬼阿梁（赵自强 饰）和林健儿出手相助，吴世达出钱令林健儿、阿梁和杨重在狱中得到照顾。不久，狱中贩毒集团大哥宫天保（楼学贤 饰）向当年抓获自己的杨重寻仇，杨重却以德报怨在阿勇袭击宫天保时出手阻挡。宫天保安排人手报复阿勇，自此与林健儿、阿梁等站到同一行列。典狱长（黄秋生 饰）欲从宫天保手中获得更大的利益，多次设计陷害宫等人，众人不堪忍受决定奋起反抗……
刘嘉亮
回复 :Four families in a Heartland town are tested in a single day when a tornado hits, forcing paths to cross and redefining the meaning of survival.
