战地Following on from the impressive Drift with its hypnotic transatlantic sequences reminiscent of Michael Snow, Helena Wittmann’s second feature is set in the Mediterranean Sea. The heroine navigates along the route of the French Foreign Legion from Marseille to Sidi-Bel-Abbes via Calvi on a contemporary Odyssey that is at once political and sensuous.
城市少女
回复 :李元霸（千叶真一 饰）辛辛苦苦经营着飞刀镖局，四十年来未曾失过一镖，靠着过硬的技术和完美的口碑享誉整个武林。李元霸对待儿子李寻欢（王杰 饰）十分严苛，从未袒露过温柔和关怀的一面，这让李寻欢内心十分痛苦，只能整日沉迷于酒精之中。一次偶然中，李寻欢遇见了风尘女子雪儿（黎姿 饰），一晌贪欢后，雪儿腹中怀上了李寻欢的孩子，李寻欢不得不将她娶回了家。然而，婚后的李寻欢对待妻子和儿子依旧不管不顾，只是每日饮酒。随着时间的推移，孤独寂寞的雪儿开始和一个名叫金雾寒的朝鲜商人越走越近。李元霸将一个非常重要的护镖任务交给了李寻欢，只要后者能够顺利抵达目的地，便能够成为飞刀镖局的继承人。
奥运北京
回复 :在一个朋友死于绝症后，五个朋友发现他们到底是什么样的人，他们是多么需要亲人的支持和参与：一个他们出于真实、享受和感情而选择的亲人。
梁铭芷
回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
