身形健硕的德里克·汤普森（巨石·强森 Dwayne Johnson 饰）是一个作风粗暴的职业冰球手，视频由于经常打掉别人的牙齿，视频因此他在场上得了“牙仙”的绰号。正所谓风云变幻，时代更迭，随着才俊新秀的涌现，德里克也渐渐成为一名过气的板凳选手。狂放自负的他必定心情极度失落，故而经常用冰冷的语言打碎别人的梦想。德里克的女友卡莉（艾什莉·贾德 Ashley Judd 饰）有一双可爱的儿女，小女儿刚好处在换牙期，对神秘的牙仙还充满遐想。此时德里克的老毛病又犯了，一心希望向女孩讲述牙仙并不存在的真相。他的粗暴做法惹来了麻烦，牙仙大陆的负责人莉莉（朱丽·安德鲁斯 Julie Andrews 饰）将他变为一个身长翅膀、手持魔杖、衣着短裙的牙仙女，在接下来的两周里，他将被迫以这身装扮为孩子们带去祝福……
杨乃文
回复 :中年男子澄田真吾（中井贵一 饰）是某电视台一档早间节目的主持人。曾贵为金牌主持人的他，因当年赈灾现场的不当举止而事业受阻。而如今流年不利，水逆当头，许许多多始料未及的麻烦一股脑地找上门来。凌晨三点，澄田和妻儿发生争吵。赶往电视台的路上，与之搭档的小川圭子（长泽雅美 饰）又扬言要将两人正在交往的“真相”在电视上曝光。到了台里，又被好友告知节目将被腰斩的噩耗。他一面小心应付圭子，一面战战兢兢播报节目。与此同时，城中一家咖啡馆遭匪徒（滨田岳 饰）劫持，对方指名道姓要求澄田来现场谈判。漫长而艰难的一天开始了，澄田该如何面对这棘手的一切……
殷秀梅
回复 :核大战爆发,世界一片废土,人类无法生育即将灭亡,然而在纽约市有一个女孩还具有生育能力,只有她才能保证人类种族的繁衍,各方势力为此展开激励的争夺...
绿洲乐队
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
