《营救徐九》讲述了律师沈忆秋的女儿果果突然被绑架了,日韩绑匪要求她救出一名杀人犯徐九。为了救回女儿,日韩沈忆秋接下了徐九的案子,沈忆秋和警长钱涛找到了徐九的时间证人小九红,结果发现小九红已经死了。
《营救徐九》讲述了律师沈忆秋的女儿果果突然被绑架了,日韩绑匪要求她救出一名杀人犯徐九。为了救回女儿,日韩沈忆秋接下了徐九的案子,沈忆秋和警长钱涛找到了徐九的时间证人小九红,结果发现小九红已经死了。
回复 :电影《球舞青春》是一部以青春校园篮球为题材的网络大电影。影片叙述了一群在大学期间,因蓝球而走在一起的励志青春少年故事。儿童时代它们就非常热爱篮球,更因少年男孩与女孩的球场博弈而将故事巧妙传奇的渐入到大学时代。成长后的大家都是俊男靓女,对篮球极度热爱。期间小时候的博弈羁绊和大学时代爱恨情仇,终于因为荣誉致使大家目标一致,努力拼搏,最终保护了8连冠集体荣誉。更把多年因篮球而结怨的兄弟,紧紧团结在一起。为了集体和篮球的荣誉而誓死奋战,终获成功。影片告知我们人生需要梦想,释放自己、挥汗如雨、只要团结努力定获成功,无兄弟 不篮球的拼搏精神。
回复 :故事发生在一座地处偏远的小镇之中,老侦探戴夫(汤米·李·琼斯 Tommy Lee Jones 饰)正在调查一起恶性凶杀案件,这位凶残的杀手在镇上着实引起了不小的恐慌。随着调查的深入,戴夫发现案情变得愈加扑朔迷离,一个名叫巴尔博尼(约翰·古德曼 John Goodman 饰)的男人浮出了水面,成为了戴夫的主要怀疑对象。小镇上来了一位电影明星,巧的是,他不是别人,正是戴夫的童年玩伴艾洛德(彼得·萨斯加德 Peter Sarsgaard 饰)。一次酒后,艾洛德吐露了一个惊人的秘密,而这个秘密竟然和戴夫几十年前调查的一宗案件有关。渐渐的,戴夫发现自己和家人似乎被卷入了某个阴谋之中,真相究竟是什么?凶手又藏在何处?恪尽职守的戴夫决定追查到底。
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.