高山峰
发表于7分钟前
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:根据玛拉沁夫同名小说改编。 50年代初期,内蒙古草原上的牧民,在党和政府的领导下,为将草原建设得更加美好而辛勤劳动着。女共青团员、互助组长萨仁格娃,曾连续两年获得劳动模范称号。她与另一个互助组长、打猎能手桑布真诚相爱。当草原上的广大牧民忙着发展生产的时候,暗藏的特务宝鲁企图挑动萨仁格娃的父亲白依热退出互助组,以达到拆散互助组的目的,遭到斥责。在一次暴风雪中,宝鲁割断牲畜栏杆的绳子,打开马圈和羊圈,放跑了牲畜。萨仁格娃为救牲畜骑着马从崖上摔了下来,幸亏桑布赶来相救。由于牧民们团结一致,将放出的牲畜都及时赶回,未能给互助组造成很大的损失。风暴季节已过,在萨仁格娃为受伤的牲畜防疫注射时,宝鲁乘人不备,把毒药投进井里,毒死了萨仁格娃小组里的二十多只羊,并妄图以羊群中毒的事情嫁祸于萨仁格娃。萨仁格娃为互助组失去那么多羊而伤心,情绪有些波动。她在区长阿木古郎的教育和帮助下,认识到不能只想个人的荣誉,要为大家着想,为内蒙古大草原和祖国的建设着想。不久,宝鲁在特务吕绶卿的指使下,想趁那达慕大会开幕时,放火破坏草原的建设。一年一度的那达慕大会开幕了。会上有各种活动:物资交易、评选模范、赛马、射箭等,热闹非凡。在评选模范的会上,有人对萨仁格娃领导的互助组死羊之事,表示不满。萨仁格娃认为组里羊死了,自己是有责任的,一定要把这件事搞清楚。会后,萨仁格娃牵着马在河边溜达时,看到宝鲁鬼鬼祟祟的,身上还带着枪,便奋不顾身地骑马追去。她赶到山坡,已看不见宝鲁的踪影,却发现牧场燃起了大火。萨仁格娃断定这火是宝鲁放的,就拍马冲过浓烟烈火去抓宝鲁。这时,盟长亲自带领群众救火,大家齐心协力很快就把火扑灭了。在萨仁格娃、桑布的帮助下,公安人员将宝鲁、吕绶卿等一小撮潜伏特务一网打尽。当大家知道萨仁格娃小组的死羊是特务投毒所致时,对于勇敢的萨仁格娃更加敬佩了。在庆功会上,盟长称赞萨仁格娃不仅是劳动上的模范,而且在防风暴、防火灾、与特务作斗争上,也表现出奋不顾身的勇敢,为草原上的人们立了一大功
江欣慈
发表于3分钟前
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:Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.