陈子嘟
发表于5分钟前
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:故事发生在二次世界大战期间,沃尔特(盖瑞·马歇尔 Garry Marshall 饰)是曾经风靡一时的棒球明星,如今,早已屈居二线的他决定组建一支史无前例的女子棒球队。他看重了漂亮高大的多利(吉娜·戴维斯 Geena Davis 饰),多利的妹妹基特(罗莉·佩蒂 Lori Petty 饰)也跟随着姐姐的脚步加入了球队。之后,马拉(梅根·卡瓦纳芙 Megan Cavanagh 饰)等一干得力干将的加入让球队的实力瞬间增强,在几次挫折之后,沃尔特的“娘子军”逐渐得到了体育界的认可。可是,就在这样的关键时刻,棒球队里却发生了内讧,马拉和基特离队,沃尔特也产生了放弃的想法。就在这时,多利远赴战场的丈夫鲍勃(比尔·普尔曼 Bill Pullman 饰)的归来让棒球队看到了新的希望。
阿兰达瓦卓玛
发表于8分钟前
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:What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of
a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.