剧情简介
故事源于音乐人卡兰（杰·巴鲁沙尼饰）的一个不断复现的噩梦，视频梦境中的一切都是栩栩如生，视频每次醒来都是叫着丽拉的名字。同时，一位美丽的印裔英国模特米拉（桑妮·雷奥妮饰）来到印度拍摄广告，与英俊富有的兰维尔王子（莫希特·阿赫拉瓦特饰）产生了炽热的爱情。命运让卡兰、米拉和兰维尔走到一起，潜在的记忆开始萌生，原来这是一个三百年前未完成的故事，三百年后需要重聚来续写他们的前世的爱恨情仇……
视频区图片区
故事源于音乐人卡兰（杰·巴鲁沙尼饰）的一个不断复现的噩梦，视频梦境中的一切都是栩栩如生，视频每次醒来都是叫着丽拉的名字。同时，一位美丽的印裔英国模特米拉（桑妮·雷奥妮饰）来到印度拍摄广告，与英俊富有的兰维尔王子（莫希特·阿赫拉瓦特饰）产生了炽热的爱情。命运让卡兰、米拉和兰维尔走到一起，潜在的记忆开始萌生，原来这是一个三百年前未完成的故事，三百年后需要重聚来续写他们的前世的爱恨情仇……
夏丹
回复 :影片描述了一种反抗和犯罪的幻想、一种冲破束缚和摧毁一切的渴望。导演Herzog创造了一个全部由侏儒组成的奇异的革命世界，每个居民都是侏儒，当他们的朋友被富有的当权者挟持为人质时，大家决定要解救他，决定要反抗这个体制。随着时间的推进，整个行动从开始的解救行动渐渐变得混乱和暴力。看色情画报、放火、打坏东西、折磨动物，甚至把一辆汽车推入悬崖。随着侏儒们愤怒的大破坏和挂在脸上庆祝的微笑以及不停的大笑，奏起了非洲部落的音乐，映象奇异美丽之极……
韦绮姗
回复 :这部翻拍自《Cyrano de Bergerac》的校园片，把故事背景定在一所名为Caldermount的全男生寄宿学校，这所学校对体育成就的重视远远超过学术能力。笨拙但富有想像力的学生Amberson来自社会的最底层，当来访的法国老师那充满激情的女儿Agnes出现时，他的世界完全为之倾倒。即便如此，他仍为Agnes和英俊但极其愚蠢的学校体育英雄Winchester做媒。到底最后Amberson会否有勇气向她表明心迹，为自己挺身而出？
江口洋介
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
