数百年前，日韩茅山传人张素素（陈加玲 饰）与弟弟合力将赶来寻仇的狐狸精击退，日韩而张素素则因伤势过重不治。时光荏苒，1991年的香港，茅山第37代传人张午（胡枫 饰）于一大厦中开店，同时迎来了由大陆抵港、拥有特异功能的干儿子阿华。张午的女儿阿如（吴君如 饰）因不满父亲悭吝自立门户，乔装成“大法师”坑蒙拐骗，另一女儿阿意（陈加玲 饰）令阿华倾心。能够开发特异功能的大喇嘛为了寻找转世灵童亦在此时赴港，却发现张午开店的大厦中有妖物存在。不久，潜藏大厦的狐狸精终于现身，大喇嘛与张午一家以及笃信基督的黑帮大佬一起联手抗妖。
模糊乐队
回复 :一位富翁看上了一块高尔夫球场，想要将其收购，用作建造其他的商业设施，来获取更大的利益。高尔夫球俱乐部的主席史密斯（泰德·奈特 Ted Knight 饰）当然不喜欢这个决定，于是，他想方设法的试图阻挠收购计划。丹尼（迈克尔·奥吉弗 Michael O'Keefe 饰）是在高尔夫球场上班的球童，指望着那少得可怜的工资来补贴家用和给自己交学费。他希望老板能够给自己加薪，却遭到了后者的拒绝，这让丹尼怀恨在心。与此同时，丹尼爱上了史密斯的侄女。卡尔（比尔·默瑞 Bill Murray 饰）是球场里维护草坪的工人，他震惊的发现球场里竟然有田鼠，为了消灭却群讨人厌的小家伙，卡尔决定不择手段。
江蕙
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
李永昌
回复 :萨曼莎·西姆斯是洛杉矶的一名律师，有一天，她突然接到探警前男友布拉德·莫滕森的电话，自己的妹妹布伦达·西姆斯陷入一场谋杀案。布伦达在一场派对上结识了一名计算机技术专家特雷弗·史密斯，两人迅速坠入爱河，而后布伦达发现男友竟早有家室，布伦达想要结束这一切，这时特雷弗却被神秘谋杀，一切证据都指向布伦达......
