金庆与林媛是一对中年夫妻，手机因为邻居每晚噪声较大，手机林媛一直想换个房子一日金庆带着女儿金倩出门寻找家里丢失的狗，因种种误会金庆被小区居民认成虐狗的变态，后来无数爱狗人士的骚扰威胁让整个家庭生活变得困扰不堪。金庆工作上的项目又被停掉，与好兄弟被一起开除，林媛又想着换房子，重压之下林媛想出利用假离婚获得购房优惠，夫妻二人又因假离婚导出许多矛盾。然而就在这关键时刻，林媛又怀了孕，换房迫在眉睫。金庆再次求职失败，决定于黄小贝一起创业，林媛为了支持自己老公，问家里借钱作为金庆启动资金。在经过一番努力后，金庆的事业开始走上正轨，金庆也放弃在城里买房，与妻子女儿狗狗一起幸福的生活在乡下，远离城市房价的压力。
指南针
回复 :根据巴金小说《憩园》改编。杨家原是当地显贵，儿子杨梦痴吃喝嫖赌，样样俱全，很快将家业败光，不得已把最后一座花园住宅--憩园卖给了姚国栋。杨梦痴虽悔，却无决心重新做人，终于流落街头，只有小女儿寒儿时常去探望他。一日，寒儿偷入憩园想为父亲摘几枝茶花，遭姚国栋前妻之子小虎毒打。国栋的续弦妻子万昭华很同情寒儿一家的遭遇，由此想到顽劣成性的小虎，决心负起母亲的责任，挽救小虎。然而她的苦心却得不到家人的理解，反遭多方奚落，使她十分痛苦。终于，小虎因行为不检，死于非命，昭华深受刺激，险些流产。至此，国栋愕然醒悟，夫妻俩亦和好如初。剧中一幕夏梦饰演的昭华抱着一本巴金的《家》看得掉眼泪，应该是朱石麟先生对巴金老先生的致敬吧。本片在今天来看，一些性格和道德的分明表现可能略显过时，录影棚的布景更是一眼就能认出来的人工布景，却别有一番文学的张力和神韵。
曹卉娟
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
森美
回复 :一名青年在梦中穿越进安南非-哥拉战争的战场，从而得以更加了解参加过这场战争的父亲
