欧美一级A一级a爱片免费免免
地区:内地
  类型:纪录片
  时间:2025-04-25 06:36:30
剧情简介

欧美转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

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明星主演
原梓霏
阿雅
钟毅
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陈逸男

发表于2分钟前

回复 :1975年,北京。方凌轩(郑榕 饰)大半辈子在新华医院从事中医药研究,平日里著书立说,颇有建树。作为人大代表,出席了全国四届人代会,并受到周总理的接见与关怀。会后,他加紧了冠心病新药的研制。女婿庄济生(修宗迪 饰)是四人帮在卫生部的爪牙,他对研制工作百般刁难阻挠,回到家中,方凌轩与庄济生展开面对面交锋,他严厉斥责女婿的极左言行,恼羞成怒的庄济生通过部里四人帮的代言人,疯狂打压一切与研制新药有关的人和事。就在方凌轩感到绝望之机,周总理从医院打来电话鼓励他继续研制,早一天服务于广大患者,这给了方凌轩及同事极大的勇气......


王蓉

发表于8分钟前

回复 :街市无赖韦小宝(汪禹 饰)阴差阳错进了宫,意外还和康熙皇帝(刘家辉 饰)打成一片,成了死党。随后,他更成了康熙的忠臣,帮康熙出谋划策,除掉了心腹大患鳌拜,一时官至极品,曾经的街市无赖终于出人头地。小宝也并非事事顺利,因其曾受天地会舵主陈近南所救,拜了陈近南为师傅,所以他在宫内的一大任务就是帮助天地会取得太后那里的四十二章经。由于四十二章经关系重大,除了天地会、神龙教,甚至康熙都想查出其下落,小宝就在各方势力下鬼马周旋,最后更凭借其聪明才智成功脱身。


齐秦

发表于1分钟前

回复 :勤亲王(刘家辉 饰)微服南下来到广东,在机缘巧合之下遇见了劫富济贫的侠盗义士何真(汪禹 饰),此时何真刚刚盗得了一批来自官府的珠宝,意气风发,于是和勤亲王之间展开了一场财富上的较量。当地官府包围了两人所在的醉仙坊,要调查珠宝的下落,勤亲王甚至何真的本性并不坏,甚至充满了难得的正义感,只是缺乏调教,于是出面替何真解决了这个大麻烦,并且顺理成章的带走了珠宝。何真不甘心就这样眼睁睁的看着自己的囊中之物被他人夺走,于是再次来到了醉仙坊,勤亲王派出了青楼女子翠红(惠英红 饰)同何真周旋,将后者耍的团团转。


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