张晓路
发表于8分钟前
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:《耶稣传》是一部根据路加福音而编写的两小时影片。此片被誉为是最准确描述耶稣基督的生平的影片。《耶稣传》计划的目的是要让世界上的每一个人都能够观看以他们本身的语言配音的《耶稣传》影片。无论您是说中文、法文或其他四百多种的语言,您最终都可以透过您本身的语言去认识耶稣。透过《耶稣传》计划及超过八百个基督教团体的合作,全球已有超过十亿一千万人观赏过这部富有震撼力的影片,而大部份人都是藉着他们自己的语言去观赏这关於耶稣的故事。几个令你惊讶的数据Official Ministry Statistics--October 1, 2005Translation ProgressJESUS film translations completed 899Translations available in audio version only 15Total number of different languages 914JESUS film translations in process 238The Story of Jesus audio translations completed 360The Story of Jesus for Children video translations completed 100Distribution Totals Since 1979JESUS film prints put into circulation (8mm, 16mm, 35mm) 16,327JESUS videocassettes, DVDs, VCDs in circulation 42,473,516The Story of Jesus audiocassettes in circulation 13,235,589The Story of Jesus for Children videocassettes in circulation 775,746Viewing Audience of the JESUS Film1Viewing audience of the film since 1979 5,412,055,777Indicated decisions for Christ as a result of the film2 201,222,001Countries in which the film has been shown 228Countries where the film has been seen on television 176Listening Audience of The Story of Jesus Audio VersionRadio listeners 447,074,422Audiocassette listeners 177,532,030Cumulative Viewing and Listening Audience 6,036,662,229Film TeamsJESUS Film Project teams 2,419Countries where JESUS Film Project-sponsored teams operate 106Team personnel3 4,966Denominations and mission agencies using the film 1,5391 Includes all versions, including The Story of Jesus for Children and multiple viewings.2 Recorded only at live showings.3 Includes team supervisors.
姜成勋
发表于8分钟前
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:奥利维亚(珍妮佛·安妮斯顿)有三个亲密无间的老朋友,四个女人多年为伴,无话不谈。随着人到中年,朋友的际遇各有不同,却都已然成家立业:她们一个成为著名的服装设计师,一个是当红剧作家,另一个继承大笔遗产,衣食无忧。相比之下,奥利维亚的生活真是一塌糊涂,她不仅单身未婚,而且刚刚丢了工作,生活陷入困境。虽然带着表面的尴尬与难堪,老友们依然不离不弃,帮奥利维亚介绍工作,介绍男友,却鲜有成效。其实老友们也有自己的烦恼,厌倦工作、厌倦婚姻、厌倦生活,每个人都切实感触着中年的危机与烦恼。奥利维亚游走在大商场,索要着免费的面霜试用装,借着老友的光参加各种高级派对,等待烦恼逝去,等待真命天子的到来。其实不管每个人多有钱,还不是都这样等待着……
龙梅子
发表于6分钟前
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:This film took the top honor at the 1969 Berlin Film Festival. After a series of documentaries, this marks the directorial debut for Zelimir Zilnik. It takes a decidedly anti-Stalinist view in the wake of the 1968 Russian invasion of Czechoslovakia and raises important political questions. He states that although the world has experienced untold wars, there have only been a handful of revolutions with any lasting significance that lead to political change.