剧情简介
美国内战期间，少妇区流寇把乔赛·韦尔斯（克林特·伊斯特伍德 饰）一家的安稳田园摧残到家破人亡。于是乔赛·韦尔斯决定加入南军游击队，少妇区保护手无寸铁的人。内战结束时，他拒绝向杀害自己家人的北军投降，走上一条逃亡之路。在路上，他遇到一个印第安切诺基老酋长，一个纳瓦霍妇女，和 来自堪萨斯的母女俩……
少妇特黄A片一区二区三区
美国内战期间，少妇区流寇把乔赛·韦尔斯（克林特·伊斯特伍德 饰）一家的安稳田园摧残到家破人亡。于是乔赛·韦尔斯决定加入南军游击队，少妇区保护手无寸铁的人。内战结束时，他拒绝向杀害自己家人的北军投降，走上一条逃亡之路。在路上，他遇到一个印第安切诺基老酋长，一个纳瓦霍妇女，和 来自堪萨斯的母女俩……
四分卫
回复 :在上一集101真狗中，古拉（格伦•克洛斯 饰）被关进了牢狱中。三年牢狱中古拉提前出狱了，本来以为她会改过自身不在打那些可爱斑点狗的主意，就连她自己也说不会再做杀害斑点狗的残忍事。但她的虚荣心还是敌不过自己的意志，看到那些美丽的斑点狗，她再次动心想要取得那些斑点狗的皮毛。法国设计师勾画出的美丽服装设计图，再次让她决定故伎重演的决心。102只斑点狗的生命危在旦夕，但这些懂人性小狗们为了自己家族的生命，也要抵抗到底。在斗争的过程中，一只刚出生的小狗，成为了大英雄。©豆瓣
王恩琦
回复 :鹧鸪菜（洪金宝 饰）、犀牛皮（冯淬帆 饰）、大山地（吴耀汉 饰）、罗汉果（曾志伟）、花旗参（秦祥林 饰）、大力丸（成龙 饰）、巴巴拉（胡慧中 饰）和维奇（元彪 饰）等警察兄弟一起放大假出外旅游，岂料他们刚刚到达目的地就被上司通知马上回港执行任务。原来，香港富商冯先生遭杀手杀害，他的女儿冯小姐（关之琳 饰）和冯先生的好友刘先生现在随时都有生命危险。于是，为了保护两人，大力丸和助手贴身保护刘先生；而年轻漂亮的冯小姐则住到巴巴拉的家由犀牛皮等人保护，众人都想和这位漂亮开放到冯小姐搭上关系；维奇和巴巴拉住入冯家引诱杀手上钩。夏日里，一连串爆笑惊险的场面上演了！
巴奈
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
