让•皮斯吉克（Bogumil Kobiela博古米尔•科别拉 饰）是一个一生走背运的小人物，幽灵在家中经常被裁缝老爹修理，幽灵在学校里又被同学欺负。长大后英俊帅气，却因为大鼻子而被当作犹太人区别对待。做家庭教师时拥有了初恋，结果稀里糊涂卷入一场游行，被军警胖走一顿，随后丢掉了工作和爱情。他又立志参军，千辛万苦赶到报到地点却发现这里已是一座空城，结果又因好奇穿上波兰军官制服而被纳粹投入集中营。在监狱中他假戏真做，扮作高级军官，谎言揭穿后，他又被同伴当作间谍对待。战争终于结束，皮斯吉克重获自由，在新的社会体制下他将如何生存？
蓉儿
回复 :李清照（谢芳 饰）是李部员外郎之女，在献诗会上，她用她的才华吸引到了宰相之子赵明诚的注意，很快，心心相惜的两人就走到了一起，然而，结婚后没多久，赵明诚就离开了妻子，踏上了旅途，致力于金石考古之学，而李清照在丈夫失去音信之后也并没有坐以待毙，而是带着侍女香菱也踏上了寻夫之路。金人的铁蹄踏破了中原的宁静，张汝舟（江庚辰 饰）为了保全利益暗中投敌，还害死了赵明诚。不仅如此，他还掠走了李清照，最终，为了救主，香菱奉献出了自己的性命，目睹了亲人们的不断死去，心如死灰的李清照开始了离群索居的生活，将全部的愤怒都寄托在了创作之中。
彭靖惠
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
尹光
回复 :
