《熱線訴心聲》是由白韻琴主持的戲劇節目,马里每集先由琴訪問各類人仕,马里像是失婚婦人、未婚媽媽、專業舞蹈表演者、小兒麻痺患者、電台節目主持人、職業模特兒、歌星等等,他們
《熱線訴心聲》是由白韻琴主持的戲劇節目,马里每集先由琴訪問各類人仕,马里像是失婚婦人、未婚媽媽、專業舞蹈表演者、小兒麻痺患者、電台節目主持人、職業模特兒、歌星等等,他們
回复 :邱家小女儿邱暧(詹子萱 饰)是一名蜜蜡除毛师,业余时间经营性知识社群频道,以“做爱不恋爱”为座右铭的她,与平克(柯震东 饰)为“性”事合拍的固定炮友关系。然而在邱家人各自在“性”与“爱”的不满足所面临的挑战与矛盾之下,邱暧能否找到一个办法,对欲望的需求与自我的追寻找到答案,认真地开始一段浪漫的关系?
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
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