黑夜里，免费他（瑞恩·高斯林 Ryan Gosling 饰）协助黑帮分子抢劫，免费是运送车手。白天，他在好友香农（布莱恩·科兰斯顿 Bryan Cranston 饰）的车行从事电影飞车特技工作。在一次逛超市时，他邂逅了艾琳（凯瑞·穆丽根 Carey Mulligan 饰）母子， 双方互有好感，并度过愉快的周末。不过，艾琳的老公斯坦德出狱了，这让他们的感情被拦腰斩断，尽管双方心有灵犀，却只剩无奈。香农把他推荐给黑帮大佬伯尼和尼诺。与此同时，他无意中发现斯坦德被人痛扁，原来后者在狱中欠了保护费。为了偿还高利贷并保证母子平安，斯坦德决定再次铤而走险。他为了艾琳决定帮斯坦德完成这一票。然而，在打劫银行的过程中，斯坦德被店主意外击毙，而他和女同伙布兰奇陷入了黑吃黑的迷局……丹麦导演尼古拉斯`温丁`雷弗恩凭此片获64届戛纳电影节最佳导演奖。
海燕
回复 :杰克（迈克尔·基顿 Michael Keaton 饰）是一位功成名就的音乐家，在事业上取得了硕大的成功，这也就意味着，他牺牲了大部分陪伴家人的时间，杰克的儿子查理（约瑟夫·克罗斯 Joseph Cross 饰）对此一直感到闷闷不乐。某日，杰克回到家，和查理一起堆了一个大雪人，杰克送给查理一只口琴，父子之间许下承诺。圣诞节将至，杰克决心和家人们共同度过这个温馨的节日，然而，就在他驱车回家的路上，发生了严重的车祸，杰克亦因此丧命。失去父亲的悲痛和绝望笼罩着查理，整整一年，查理的家庭都生活在悲怆而又压抑的气氛中。一晃眼，圣诞节又到了，查理想起了和父亲的约定，他堆了一个雪人，然后吹响了父亲送给他的口琴，希望父亲能够如同承诺的那样，再度回到他的身旁。
山本领平
回复 :Miyu went to Seoul, Korea to study and look for her older sister who went missing two years ago. One day Miyu got to know Hana who was a famous plastic surgeon and she reminded of her missing sister. Hana lives with her lover Hyoshin, but she got attracted by Miyu. And Nyoshin felt jealous of Miyu. Miyu thought that Hana is actually her older sister and asked her to tell the truth. Hyoshin saw two of them talking and killed Hana because of jealous. Hyoshin tried to kill Miyu next and Miyu realized Hyoshin is her sister who had plastic surgery and changed her face. Finally Hana stuck a knife into herself because she knew Miyu always values her sister. Miyu survived, but lost her precious sister.
张铠潼
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
