剧情简介
爱奇艺自制综艺《青春加点戏》是一档沉浸式角色体验剧情真人秀。《青春加点戏》将以十二期绝不烧脑的华美剧本主题展开剧情演绎，视频每期十位青春训练生变身主题角色，视频以玩家身份入戏、以自己的真实名字和性格加持角色，上演十二幕吸睛好戏。
hima视频
爱奇艺自制综艺《青春加点戏》是一档沉浸式角色体验剧情真人秀。《青春加点戏》将以十二期绝不烧脑的华美剧本主题展开剧情演绎，视频每期十位青春训练生变身主题角色，视频以玩家身份入戏、以自己的真实名字和性格加持角色，上演十二幕吸睛好戏。
飞鸟凉
回复 : 《欢乐中国年——我要上春晚》全新开创“展演季”，邀请国家级院团及优秀表演者，联合艺术家、明星嘉宾、年度人气演员等加盟，以展示新时代丰硕艺术成果、欣欣向荣的风貌为目标，向全国观众奉上一台精彩纷呈的文艺节目，带领大家在中国传统文化氛围中品鉴年味、辞旧迎新，最终将有优秀节目或表演者登上总台2024春晚舞台。
郭小霖
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
汪正正
回复 : 高耸的喜马拉雅山，是地球上人类最不可能定居的地方之一，由登山人士和科学家组成的一支团队前往这个险恶之地，寻找早期人类定居于此的线索，探究他们从何而来，又如何适应高度在此生存，团队发现有数个洞穴遗留大量人骨和文物，包括黄金面具和中国丝绸，年代大约在西元前2800年到西元650年间，某些文物令人费解，指向早期死亡仪式，僵尸信仰和吸血鬼，但其中最关键的证据，就是洞穴里发现的古代人类DNA！
