10月1日，天天由热气球影视承制，天天联合橙色动力影视出品的新媒体剧《整容季》在天津恒大原辰医学美容医院隆重开机。监制陈铭章、导演吴强、制片人白成浩、郭臻鈺、编剧谢梦梦及主演高仁、林珠银、赵敏成、马秋子、薛琪等主创出席了当天的开机仪式。据悉，《整容季》共20集，讲述了中韩两国整容圣手以满足所有人愿望而经营了一间神秘的整容医院，并通过迎接来的一个个特别客户展现了人性和社会的碰撞，意识和常态的摩擦，当人们面对欲望伤痛时的沉迷与逃避。长腿贵公子高仁携手《继承者们》林珠银出演该剧男女一号，片中两人剪不断理还乱的感情线也是该剧一大看点。除常规的男女一二号外，该剧会以分集主演的身份邀请众多大牌演员前来客串，开机当日便迎来了台湾知名音乐人包小松以及《克拉恋人》抹布男朱向南的扮演者薛琪、“武松”丁海峰，后续不间断的大牌“龙套”鼎力坐镇。
胡灵
回复 :《代我向贤四郎问好》的主人公沼仓孝一小时候被黑道人物木村夺走了母亲，为了复仇，他熟读《北斗神拳》并进行了大量训练。但是意识到仅凭“北斗神拳”是无法掌握收服人的正确要点的，于是更加禁欲地探求要点。结果，孝一成了一名出色的按摩师……。
李贤宇
回复 :有別於傳統觀光旅遊，《隨懿深度行》着重「深度」體驗與探秘。主持黎諾懿「公器私用」，藉節目帶同四位「女神」好友前赴馬來西亞玩餐飽，從享受過程中也能有所得着！諾懿就着李佳芯、劉穎鏇、高海寧、黃翠如的性格特質，度身訂造專屬的旅遊主題，在怡保、金馬崙、雪邦等地開展不一樣的體驗。優悠之旅、自然探索、享受生活、新意玩樂等不同風格的旅程，讓觀眾認識大馬的多元文化風情，同時也可喚起、激發出女神們的另一面。
肯尼罗杰斯
回复 :Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story.A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles?Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.
