周总Roberto, a drummer in a rock band, keeps receiving weird phone calls and being followed by a mysterious man. One night he manages to catch up with his persecutor and tries to get him to talk but in the ensuing struggle he accidentally stabs him. He runs away, but he understands his troubles have just begun when the following day he receives an envelope with photos of him killing the man. Someone is killing all his friends and trying to frame him for the murders...
李宇春
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb
金东万
回复 :環境紀錄片導演柯金源，最新力作《海之岸》以跨領域、共創的方式，與人劇團表演藝術工作者，一起探索台灣海岸的各種意象，詮釋目前的環境議題，請大家用心感受激盪出的浪花。從景觀豪宅前的「弔唁」，藻礁與能源爭議喧囂後的「蠕動」，灘地退潮後的「物種演化」，填海造地上的「吶喊」，風機及消波塊環伺的「天舞」，石化工業區的「味覺」，廢水污染與地層下陷的「感知」，以及自然海岸的「體認」，用二元對比與隱喻的影像，展現出不一樣的創作風格。
赵薇
回复 :为了探望患病的母亲（金成铃 饰），金书妍（朴信惠 饰）返回了家乡。自从父亲死后，金书妍和母亲之间的关系跌落到了冰点，她认为母亲应给对父亲的死负全责。金书妍不小心将手机落在了火车上，无奈之中，她只得暂时用家中的一台固定电话和外界联系。一天，电话响了，在电话另一头的，是一位名叫吴英淑（全钟瑞 饰）的女孩。很快，金书妍就发现，这台电话似乎拥有穿越时间的特使能力，而吴英淑并非和自己生活在同一时代，而是十年前生活在这幢房子里的某个女孩。根据吴英淑的叙述，她被信奉邪教的母亲（李艾 饰）囚禁在家中，过着生不如死的日子，随着时间的推移，两个女孩之间逐渐建立起了友谊。而金书妍亦发现，就在不久之后，十年前的吴英淑将会葬身火海。
